女人不是月亮

【作者】 张丽明；

【导师】 樊洛平；

【作者基本信息】 郑州大学 ， 中国现当代文学， 2007， 硕士

【副题名】20世纪80年代中国当代文学中的“女强人”形象研究

【摘要】 本文旨在从女性主义批评角度，结合社会学研究的一些理论，通过对20世纪80年代中国当代文学创作中出现的“女强人”形象的梳理与研究，以期达到对“女强人”形象的人性意蕴及社会历史意蕴的分析，并在文化意蕴层面上展望两性和谐诗性文化构建的理想境界。本文包括引言和结语共分六个部分。一、引言：对“女强人”这一概念做一明确界定，指出文中“女强人”的指涉范围，并简要分析“女强人”出现于20世纪80年代的社会历史原因，最后交代本文的写作和实践意义。二、第一章到第四章是论文的主体部份。第一章根据“女强人”形象在强烈的抗争阶段、自豪的宣称阶段和理性的超越阶段这三个阶段的不同特点，把她们分为不是月亮的“女强人”，也是太阳的“女强人”和具有现代意识的“女强人”三种类型，进而来探索从“女人不是月亮”的解构到“女人也是太阳”的建构，再到构建两性和谐社会的思考这样一条女性精神觉醒、境界升华的心路历程；第二章从性别意识的流露、叙事策略的不同和审美心态的差异三个方面来对比不同性别视角下的“女强人”形象。进而得出结论：女性作家比男性作家走得更深更远的是，她们能通过对“女强人”形象的重新解读，打碎重组并超越了整个社会文化——男女两性对女性形象的角色期待；第三章试图打通海峡两岸，以比较的视野介入，通过两岸女性作家在“女强人”形象的共同构建及生存境遇两个方面所表现出来的异同，来剖析其社会内涵和文化意蕴；论文最后一章分别从人性意蕴、社会历史意蕴、文化意蕴三个方面来解读“女强人”形象的真实意蕴。三、结语：本文以平行论证的方法，分别从四方面论证了“女强人”形象及其真实意蕴。以期达到对“女强人”形象全方位、各角度、多层面的分析和研究。最后得出结论：毕竟“女强男弱”、“女显男隐”不是我们所要追求和期待的结局，探寻两性和谐的诗性文化路径——这不仅是男女两性共同要面对的课题和使命，也是人类生存要达到的理想生存境界。更多还原

【Abstract】 This thesis expects to analyze the humanity implication, as well as social historical connotation involved in the image of "Superwomen", and forecast a Utopia built on gender harmony and poetic culture, from the perspective of Feminism criticism, with some theories of sociological study, through the way of studying and straightening out the images of "Superwomen" in the Modern Chinese Literature Creation in 1980s. This thesis consists of six parts including an introduction and a conclusion.I . Introduction: To clearly define the concept of "Superwomen", and point out the scope of "superwomen" in this thesis, moreover, to analyze the social factors in 1980s when this concept came onto being, finally to express the significance of composing this thesis in writing and practice.II. The main body of the thesis is made up of the part from Chapter one to Chapter four. In Chapter one, according to the different characteristics of "superwomen" in three phases, fiercely struggling, proudly declaring, and rationally transcending, it divides these "superwomen" into three categories, such as not-the-moon type, also-the-sun type, and clear-headed modern-minded women, further more, deconstructs the concept that "Women are not like the moon" and reconstructs the idea that "Women also could be the sun" to form a kind of awakening feminism and horizon sublimation to reconstruct a bisexual harmonious society. In Chapter two, from outpouring of the sexual recognition, different narrative strategies, and different tastes to the beauty it compares the images from different sexual perspectives, farther to draw the conclusion that female writers surpass male writers in that they could break, reconstruct and exceed entire social culture through unscrambling the female images of "superwomen"--role expectation to the female images by men and women. In Chapter three, it attempts to merge the literature across the Straits, from the perspective of comparative literature, through the distinction among construction of the images of "superwomen" created by female writers across the Straits and their survival circumstance, to anatomy social and cultural connotation inside. The last chapter unscrambles the real connotation existing in the images of "Superwomen" from the human nature connotation, social and historical connotation, and cultural connotation three aspects. III. Conclusion: This thesis adopts the parallel argumentation method to demonstrate the images of "Superwomen" and their real connotations, in expectation to analyze and study these images completely. The conclusion is that "the female is stronger that the male" or "the female is more prominent than the male" are not the consequences that we are pursuing, exploring the way to realize the bisexual poetic harmony --is not only the task and mission confronted by the male and female together, but also the ideal living circumstance pursued by the human beings as a whole.更多还原