【作者】 郑友征；

【导师】 庆振轩；

【作者基本信息】 兰州大学 ， 中国古代文学， 2007， 硕士

【摘要】 邵雍是北宋中期著名的理学家，与张载、周敦颐、程颢、程颐并称为“北宋五子”。邵雍在哲学史上享有崇高的地位，其哲学思想历来被重视，研究成果颇丰。同时邵雍也是一位创作颇丰的诗人。与其他大多理学家重道轻文不同，邵雍在治学之余不废诗歌创作，甚至在老年时“年来得疾号诗狂”，写诗自娱自乐，自言“击壤三千首”，其诗集《伊川击壤集》今存诗1583首，在众理学家存诗中首屈一指。邵雍有自己的一套诗歌主张，他作诗不讲太多规矩，明白如话，而深含余味，大有“妙手偶得之”之妙。在宋代诸诗人中，其诗独具特色，严羽称其诗为“邵康节体”。不过，对邵雍诗歌历来评价不一，有爱之者如辛弃疾“作诗尤爱邵尧夫”，有厌之者谓其诗“是语录讲义之押韵者”。本文鉴于当前邵雍诗歌研究相对薄弱的实际状况，对邵雍诗歌创作进行深入分析研究，总结其艺术创作的得失，欲给予其诗歌创作一个全面、客观、公正的文学史定位。本论文在绪论中介绍了当代邵雍诗歌的研究状况，指出了邵雍诗歌研究的必要性。第一章以邵雍生活的时代背景为基础，对其生活经历、为人处世、著作成就作了简要的介绍，以期做到“知人论世”。第二章分析了邵雍的诗歌创作主张，指出不论是快乐诗学、“以物观物”，还是不限声律，不求苦吟，他都在努力创造一种“平易流畅，意味深长”诗歌的新的美学范式。第三章把其作品大体分为哲理诗、咏史诗、酬唱诗、林泉诗和安乐诗五类，具体分析其诗歌作品。第四章是邵雍诗歌的艺术特色研究，从以理入诗、平淡诗风、打破格律等方面探讨其诗歌创作的得与失。第五章评价了邵雍诗歌的文学史地位，对其诗歌创作的影响作了进一步介绍。更多还原

【Abstract】 Shao Yong is a famous Neo-Confucianism of the middle period of the Northern Song Dynasty, who is called " Five Saints of Northern Song Dynasty " with Zhang Zai, Zhou Dunyi, Cheng Hao and Cheng Yi. Shao Yong enjoys the lofty position in the history of philosophy, his thought of philosophy has always been paid attention to, and his research results are rich. Simultaneously Shao Yong is also a poet with abundant works. Different from other Neo-Confucianism, Shao Yong doesn’t forget his poetry creation while doing his scholarly research. Even when he is very old "the year abhors the poem to be crazy", he composes poems for self-entertainment. He admits "strikes soil 3,000", his poetry anthology" Yichuan Strikes Soil Collection",which stores 1583 poems today ,he leads all Neo-Confucianism in storing poems. Shao Yong has a set of poems to advocate of his own, he does not creat poetry by rule, his language is simple like speech but meaningful and impressive, getting great skill by chance. Among all poets of the Song Dynasty, his poems are unique, Yan Yu calls his poems "Shao Kang Jieti". However, we do not have a consistent opinion on appraising Shao Yong’s poetry. Those who love Shao Yong like Xin Qiji says "I like Shao Yong’s poetry Specially ". Those who are tired of Shao Yong says his poems are ryhme of collected sayings printed in lecture. In view of the research on Shao Yong’s harmony poetry are relatively weak, this article analysises Shao Yong’s poetry creation thoroughly, summarizes his success and failure in artistic creation. The purpose is to give his poetry creation a comprehensive, objective and fair appraisal in the history of literature.The thesis introduces the contemporary research condition of Shao Yong’s poetry in the introduction, and points out the necessity of research on Shao Yong’s poetry. The first chapter makes a brief introduction to his life experience, his manner on the world and his workachievement on the background which Shao Yong lived, to judge Shao Yong and his times. The second chapter analyzes Shao Yong’s position on the poetry creation, and points out no matter the study on the joyful poem, or no limit on the rules of his tonal pattern, no strive for recitation painstakingly, he creats a kind of esthetics mode ,which is amiable ,smooth, and meaningful. The third chapter divides his work into five kinds roughly, the philosophy poem, the epic poem, the chant poem, the poem of forest and mountain streams and the peaceful poem, analyzes his poetry work specifically. The fourth chapter carries out a research into the artistic feature of Shao Yong’s harmony poetry, discusses his poetry creation and loses from the principle entering the poem, the light poem, breaking classical Chinese poetry rule and so on. The fifth chapter appraises the status of Shao Yong’s harmony poetry in the literature history, and gives a further introduction to the creation influence of his poetry.更多还原