【作者】 姜燕；

【导师】 白杨；

【作者基本信息】 吉林大学 ， 中国现当代文学， 2007， 硕士

【摘要】 徐坤在她的新历史小说《从此越来越明亮》中曾以花来比喻新时期的女作家,在当代女性文学这座万紫千红的百花园中,徐坤即使不是最出色最亮丽的一朵,也是颇为独特的“这一个”。她掘起于20世纪90年代,初期创作以反讽、调侃、游戏的语言对当代精英知识分子进行了深刻的文化批判,而被称为“女大侃”、“女王朔”。90年代中期以后,徐坤开始转向女性文本的写作。她对知识女性生存体验的书写和展现,对其生存困境的探索和寻求,既是20世纪知识女性自我探求心路历程的发展和深化,又与同时代女作家的书写视角有所区别。徐坤以其细腻、犀利的笔触深入到女性心灵深处和历史文化深层,抒写着知识女性的生存状态和精神追求,创造出一个个意味深长的女性文学文本。近年来,文学界对徐坤笔下女性世界的关注在不断升温,从其对男权中心文化的颠覆、对女性命运的探索、对都市即景系列作品中女性意识的探究等各个不同侧面进行了研究解读。本文打算从徐坤对现代文化语境中的女性书写、“围城”内外的女人们、两性关系的“和谐之思”等方面探寻她女性文本书写的独特意义,力求对当代知识女性生存境遇有一清醒的认识,对这位学者型的女作家作一客观的评价。更多还原

【Abstract】 Introduction:After mid of 90’s, Ms. Xu Kun was at her turning to writing articles about women. Her descriptions about lives, experiences of educated women and her research on their difficulties in life are a development on a different way to describe deeply experiences of women’s life and their self-realization.Ms. Xu’s exquisite and incisive writings touched soul of women’s and its deeper stage from cultural history. She really created significant letters for women’s literature.In recent years, Ms. Xu’s writings about women are getting more and more attentions of literatus about of investigating experiences of woman and shaking of man-center culture. The aim of this article is to in search of its significance from her current writings concerning women from characters in her works of“围城”, and“和谐之思”, to hold an understanding of environment for women’s life and have an evaluation of this feminine writer.This article is divided to 3 paragraphs:1. writings about women in current culture:‘Former women-writers were searching items how a woman could get equally with a man. But Ms. Xu Kun’writings show to people from 90s women on the way of working out of home. Her characters in women’s world are mostly teachers, lawyers, reporters and supervisors in businesses. They are educated, economic independence, grouped in higher social levels, and mostly live in a stable and enviable family. People may see excellent sides of theirs, but from those halos around them, Ms. Xu found difficulties and quandaries encountered by them under current surroundings and revealed their real troubles and struggles for getting along in a man-centered society from her exquisite writing styles.2. Former woman writers always described leaves for those educated women after 5.4 younger cultural movements in China. More daughters were become conflict with father or mother, their goal of life was left away from man-centered home or from appointed marriage. They strongly requested to give up women’s role in home inherited from ancientry and wanted to stand equally with man. They were brave and thought themselves should play the same role in society as man had. Specially Ms. Xu considered about left social problems after Ms. Nala’s leave. Former writers left the figure’s despairing back, but Ms. Xu gave an expression of a weeping Nala. She was watching troubles women met after they had played social roles. Article“Kitchen”represented her consideration of women’s social and home’s roles, conflict problems of leave and return.Ms. Zhi Zi had the same consideration as most women, they thought family role and social roles can not be coexisted together. For getting self-worth, they have to leave family, giving up family is the only way for getting social acknowledge. Ms. Xu is considering how to get rid of the conflict mode of social and home, women and human.. Women are coming out from tradition despite they have experienced a lot of difficulties, but they have really stepped forward.3. Harmonious coexistence of women and menFrom figures in Ms. Xu’s writings about women, no special differences of sexes and their conflicts are described. Figures under her writings are independent but without overwhelming of others. They feel dissatisfied with monotone life after daily pressure of works, and hoped to get fan out of marriage. But after that they can get a rational consideration of the reins and home life experienced and returned to normal. That is Ms. Xu who is more believing daily life in home and equally lives of women and men.In writing《春天的二十二个夜晚》,Ms. Xu had a deeper consideration of man. Man-centered culture of thousands years had figured women and also had effect on men. They are accustomed for works divide, men for works out of home and women for holding works in home. Home’s door is always open for man to return home at any time, delicious food for them is prepared in time, light is waiting them, both arms of wife can offer them for relaxes. But currently, people work hard and in different time period, they take only few communications. They may not encounter, know each other well and talk a few words even they lived in the same building. After times, they feel a cool relations of them and have neglected the necessity of their communications. Mr. Chen Misong was not the only problem to Ms. Mao Zhen, he is more like a symbol to the problems of men lived in city. Ms. Mao Zhen belongs to one kind of person, whose understanding and toleration, sincerity and caritas represent current educated women in China forward to maturity of personality. The figure Ms. Mao Zhen was left away from her suffers’s experiences and formed a new person who had current healthy thoughts. Who represents current women to seek ideal and love, insist to form equal and harmonious relations of men and women.Conclusion:For brouhaha of women’s literature in 90’s, Ms. Xu was aware of any whole egotism will cause self-fallen. Even she didn’t indicate how to harmoniously coexist of men and women and what is its result, but she knows what behaviors of women shouldn’t be done in new current period of history. We expected new work of Ms. Xu’s“双调夜行船”can find a new route, let men and women harmoniously coexist to voyage forward and further more.更多还原