【作者】 焦磊；

【导师】 黄笑山；

【作者基本信息】 浙江大学 ， 汉语言文字学， 2007， 硕士

【摘要】 本文对产生于明代的昆曲字音系统进行了考查。首先对昆曲产生的时代背景作了分析，并据此估计昆曲的语音基础。继而根据著名的昆曲韵书《韵学骊珠》中所载的分韵与反切，对昆曲字音的声韵系统进行音位构拟，并将其分离为表面的北方音系统与内部的南方音系统两个不同的结构层次。本文更使用统计方法，对昆曲字调与昆曲音乐旋律的关系进行分析，利用古代曲谱所载的音乐旋律，构拟了早期昆曲的声调系统，并将其定性为吴方言系统。同时，本文从韵母系统的结构方面对昆曲的字音进行了讨论，对比了昆曲音系与明代官话音系的关系，并对南北官话的分立标准提出了自己的看法，从另一个侧面反映了近代汉语的语音特点。更多还原

【Abstract】 The object of this research is to reconstruct the sound system of Kunqu Opera which originated in middle Ming dynasty (1400A.D—1550 A.D). As one of the oldest existent forms, not only the classical literatures but also a standard of pronunciation was preserved. A so-called "Guanhua" dialect was used in the opera while this dialect can always resist the influence of other dialects. On such a background, through the study of the sound system in Kunqu Opera, a general insight of the Guanhua sound system during Ming dynasty can be obtained. The significance in this research is to make an analysis and reconstruction of the sound system of Kunqu Opera, which may assist the study of the koine during Ming & Qing Dynasties.更多还原