时空之间看丁西林和陈白尘的喜剧佳作

【作者】 陈娟；

【导师】 胡志毅；

【作者基本信息】 浙江大学 ， 中国现当代文学， 2007， 硕士

【摘要】 丁西林和陈白尘是我国喜剧史上尤为杰出的两位喜剧家。他们的创作分别代表了中国现代幽默喜剧和讽刺喜剧的最高水平。本文主要从空间角度对丁西林二十、三十年代的幽默喜剧和陈白尘四十年代的讽刺喜剧进行研究。丁西林和陈白尘的喜剧具有不同的戏剧背景空间。丁西林的喜剧用幽默的语言构建出一个热情幽默的城市北京，陈白尘的喜剧用讽刺的语言构建出一个战时陪都重庆。在戏剧舞台空间上，丁西林和陈白尘都巧妙地利用时间和空间，制造尖锐的戏剧冲突。丁西林的喜剧是幽默的，带给我们“会心的微笑”；陈白尘的喜剧是讽刺的，带给我们“含泪的微笑”。这是因为社会空间生产不同决定美学范畴不同。更多还原

【Abstract】 Ding Xilin and Chen Baichen are two especially outstanding comedy writers in the modern Chinese comedy history .Their creations have represented the highest level of Chinese modern humorous comedy and satiric comedy separately. This article mainly researches Ding Xilin’s humorous comedies written in 20s to 30s and Chen Baichen’s satirical comedies written in 40s from the spatial angle.There are different dramatic background spaces in DingXilin’ and Chen Baichen’ comedies. Ding Xilin’s comedies construct an enthusiasm humorous city Beijing with the humorous language, and Chen Baichen’ comedies construct an alternate capital Chongqing in the war time with the satiric language. In the dramatic stage space, Ding Xilin and Chen Baichen both make the incisive play conflict by using the time and the space ingeniously.Ding Xilin’s comedy is humorous. Audiences will smile understanding after watching his plays. Chen Baichen’ comedy is satiric. Audiences will simile with tears in the eyes after watching his plays. Because different social space production makes different esthetics category.更多还原