【作者】 沈虹；

【导师】 朱国华；

【作者基本信息】 华东师范大学 ， 文艺学， 2007， 硕士

【摘要】 本文以福柯在其学术生涯的“文学时期”(1960—1970)里广泛研究过的一批法国作家为出发点，在福柯本人六十年代的文学批评实践里选取了对他来说至关重要的三位作家：萨德、布朗肖和鲁塞尔，来厘清他与他所说的“现代文学”之间的关系，同时也为当代的福柯研究提供一种新的经由“文学”进入福柯理论的视角。对福柯来说，以上这三位作家在其文学思考中代表了不同的层面，也占据了其所说的“现代文学”谱系中的三个极点——在萨德这里现代文学才开始真正出现；在布朗肖这里，作为“外边思维”的现代文学达到顶点；而在鲁塞尔身上，福柯所倡导的那种作为创作主体的作者与其所发明的语言之间的关系才得到了最淋漓尽致的体现。在对福柯理论进行具体剖析之后，我们回到文学与现实的关系上，对福柯来说，现代文学是一种语言摆脱其日常功能(表象、交流、指示)，返回其“原始存在”，并经由这种返回打开一个词与物之间的新的“空间”，产生一整个新的客体和经验领域的可能性。正是经由这种文学的可能性，我们才得以在福柯所描述的权力展布的现代，找到某种“反抗”的空间。更多还原

【Abstract】 In this thesis, we study the "literature period" (1960 - 1970) among all Michel Foucault’s works. We first review some French writers Foucault studied during that time. We then select three most important writers who had tremendous impact on Foucault - Marquis de Sade, Maurice Blanchot, and Raymond Roussel - in his literature critics, to clarify the relationship between Foucault and what he called "modern literature". In the meantime, we also provide a new perspective to study Foucault’s works through literature. To Foucault, these three writers represent different aspects in his literature research. They are three the most influential components of "modern literature". From Sade, modern literature emerged; from Blanchot, we know what "the thought from outside" really means; from Roussel, the relationship proposed by Foucault between the subject (the author) and the language it invented is clearly demonstrated. After analyzing the Foucault’s theory in detail, we return to the relationship between literature and reality. For Foucault, modern literature is a form of language that escapes from its daily function (representation, communication, signification), returns to its "original existence", opens a new "space" between the order of things, and eventually produces a new possibility of the whole field of obj’ect and experience. This possibility of literature lets us find some sort of "resistance" in the modern power relations that Foucault described.更多还原