【作者】 苏金成；

【导师】 陶思炎； 谷建祥；

【作者基本信息】 东南大学 ， 艺术学， 2006， 硕士

【摘要】 石家庄毗卢寺水陆画是明代初期中国宗教画的优秀作品,它由民间画工所作,供毗卢寺举行水陆法会时使用。其上绘有诸佛菩萨、各方神道、人间尊卑等各色人物,包含了儒、释、道三教内容。绘画笔法细腻,线描与赋色技法纯熟,人物形象生动,反映了明代民间宗教绘画的高超技艺。通过对毗卢寺水陆画的宗教文化背景与绘画艺术研究,我们可以看出明代初期三教融合思想已经渗透到中国社会的各个方面,成为中国传统文化的有机部分,并与民间信仰、民风民俗融为一体,同时可以看出明代中国水陆画的发展状况。水陆画既是宗教绘画,又是民俗艺术,民间艺术家们正是借助宗教题材塑造栩栩如生的艺术形象,表现自己的审美观念、审美情趣与审美追求,展现世俗倾向和民间色彩。毗卢寺水陆画中的人物描绘继承了唐宋以来人物画的传统,有深厚的文化底蕴,题材范围也比过去更加广泛,形成了雅俗共赏的风格,拓宽了人物画的创作途径,对后来人物画的发展产生了重大影响。毗卢寺水陆画为中国美术史研究、佛教史研究、儒释道三教融合史研究、信仰民俗研究、中国古代服饰研究等提供了重要的资料。更多还原

【Abstract】 The land-and-water drawing in the Pilu Temple, which located in Shijiazhuang, is the excellent work of the Chinese religious drawings that drawn in the early stage of the Ming Dynasty. It was drawn by folk painters and served in the Buddhist religious rites that held in the temple. On it there painted Buddha, different bodhisattvas and gods, figures of different social ranks and jobs, which contained the thoughts of Confucianism, Buddhism and Daoism. Through its fine and delicate brush-drill, skilled technique of setting contours and colors as well as its vivid images, it has reflected the advanced and excellent technique and art of folk religious drawing of the Ming Dynasty. By studying the religious and cultural background of the land-and-water drawing in the Pilu Temple and its painting arts, we can find out that the thought of merging the 3 religions permeated in Chinese society in the early stage of the Ming Dynasty and became the organic composition of Chinese traditional culture through its combination with folk beliefs, folkway and folk custom; and moreover, we can find out the real development of Chinese land-and-water drawing in the Ming Dynasty at the same time. The land-and-water drawing is religious drawing as well as the cultural relic of folk custom. By creating lifelike artistic images on religious subject, the folk painters manifested their own aesthetic ideas, taste and pursuit, and demonstrated the folk art and the trend of secular culture of their age. The land-and-water drawing in the Pilu Temple inherited the tradition of figure drawing in the Tang Dynasty and the Song Dynasty. Therefore, it has deep and rich cultural background as well as more extensive scope of subject. It has not only formed the style that suits both refined and popular tastes but also broadened the creation channel of figure drawings so that it has exerted a significant influence on the development of figure drawing. The land-and-water drawing in the Pilu Temple provides important information and material for the study of the Buddhist history, the merging history of Confucianism, Buddhism and Daoism as well as the study of the beliefs and folk custom, the ancient Chinese dress and the history of Chinese art.更多还原