【作者】 朝鲁；

【导师】 肖黎声；

【作者基本信息】 内蒙古师范大学 ， 音乐学， 2006， 硕士

【摘要】 十九世纪是是大歌剧和喜歌剧在欧洲兴起的时代。在这一时期,涌现了大批的优秀歌剧作家和优秀作品。同时,美声唱法这种在很大程度上依托歌剧创作而得以发展的歌唱方法也得到了很大的发展,出现了继由阉人歌手开创的“美声唱法黄金时期”之后的又一繁荣时期。尤其是男高音,在这一时期作为歌剧中的主要角色扮演者真正的发展了起来。在这中间,意大利的歌剧作家多尼采蒂以其大量的优秀作品对美声唱法的发展作出了突出贡献。但是,目前学界的研究目光大都聚焦在威尔弟、普契尼、瓦格纳等现实主义歌剧作者身上,对多尼采蒂的歌剧创作一般只给予普通音乐史学上的关注。这在很大程度上忽视了多尼采蒂歌剧创作对美声唱法尤其是男高音声部的发展所作出的贡献。本文从多尼采蒂歌剧创作中的男高音角色入手,通过对多尼采蒂歌剧创作中男高音唱段的创作风格、演唱技巧要求进行分析,进而总结出多尼采蒂歌剧创作对美声唱法男高音发展所作的贡献。全文共分为三个部分,第一部分主要结合十九世纪意大利的政治、文化形式,介绍多尼采蒂生平及其创作概况。第二部分,通过对多尼采蒂歌剧创作中的男高音角色及其代表唱段的介绍和分析,总结出多尼采蒂歌剧创作的艺术风格、特点。第三部分,从技术层面上分析多尼采蒂歌剧男高音唱段的演唱技术要求从而总结多尼采蒂歌剧创作对美声唱法的贡献。通过本文的介绍和分析,笔者希望能够以尚现肤浅的笔触,为和笔者一样的男高音学习者们提示一种威尔弟、普契尼以外的,自然的、淳朴的、更接近美声唱法最纯粹技术要求的演唱风格。同时也希望学界能够给予多尼采蒂及其同时期的歌剧创作以更多的注意,进一步完善和发展我们对美声唱法的理解和运用。更多还原

【Abstract】 19th century is just the time when comic opera and grand opera rise in Europe. In this period, there has emerged a large quantity of outstanding opera composers and first-class music works. Meanwhile, bel canto the singing method which rely on the growing of the opera creation gets a great development, and there has another prosperity period after the“Gold time of bel canto "which initiated by castrated singer. Especially tenors get a real development in this period as main role performer in opera. Among them, Italian opera writer Donizetti has made some outstanding contributions to the development of the bel canto by his large amount of achievements.However, the research visions of the academic circles mostly focus on those realistic opera composers such as Verdi, Puccini, Wagnar and so on. And they just pay ordinary attention of music historiography to Donizetti’s opera. They ignore that Donizetti’s opera creation has made a great contribution to the development of bel canto, especially on tenor.This article analyses creation style and singing skill of tenor in the Donizetti’s opera, therefore summarizes the contribution to the development of bel canto which is made by Donizetti’s opera. The whole article is divided into three parts altogether. In the first part, the author gives a brief account of Donizetti’s life and introduces the general situation of his creation, which mainly combines the politics and cultural form of Italy in 19th century. In the second part, the author sums up the artistic style and characteristic of Donizetti’s opera creation by introducing and analyzing the roles of tenor and those representative arias. In the third part, the author summarizes the contribution of Donizetti’s opera creation to the bel canto, by analyzing the更多还原