【作者】 杨志强；

【导师】 付中丁；

【作者基本信息】 内蒙古师范大学 ， 中国现当代文学， 2006， 硕士

【摘要】 二十世纪五十年代,钟理和以独立的文学审美追求悖逆于台湾国民党当局鼓噪的“反共文学”思潮,呈现出与台湾官方主流话语迥异的创作风格和审美意象。作品中浸透着“新体制”挤压下的群体信仰缺失、个体苦难意识“失禁”的焦虑,在表现个体精神与大众心理体验时,延续着台湾文化特有的悲悯情怀,在“抱朴守拙”的乡土小说文本中凸显着“民间”、“乡土”、“权力”、“底层”等平民性意象群落。论文主要阐述作品的意识内蕴、审美价值并着重揭示作家精神体验与作品之间的关联性。意识内蕴从四个方面论述:(一)悲情与隐忍意识。(二)正义和抗争意识。(三)国民性批判意识。(四)根的意识。审美价值的体现将从小说人物形象、故事文本剪裁、语言和叙事程式的角度加以开掘,试图通过对钟理和小说作品较全面的观窥,从整体上把握作品所体现的思想情感意蕴和文化内涵,揭示钟理和作为“苦难的存在”的历史意义和文化意义。更多还原

【Abstract】 In 1950s, Zhong Lihe’s extraordinary literary pursuit floated on the wave of the“anti-communist”literature in Taiwan province. His works show distinctive artistic style and aesthetic images different from the main official literature in Taiwan. They are saturated with, under the press of the“new system”, the loss of social belief and the anxiety about the“failed control”of the feeling of individual bitterness. When showing individual spirit and public feelings, his works inherited the compassion peculiar to Taiwan literature. And they give prominence to the images as“folk”,“countryside”,“power”and“the bottom of society”among the rural literature, which is normally the“holding simple and unadorned style”.The author of this paper mainly elaborated the ideological connotation and aesthetic value of these works, as well as revealed the relationship between the writer’s spiritual experience and his works. The exposition of the ideological connotation will be from the following four aspects: 1. the ideology of grief and forbearance; 2. the ideology of justice and resistance; 3. the national critical ideology; 4. the ideology of root. And by studying the characters in his novels, the editing of the plots, the language style and the ways of describing, the aesthetic value will be analyzed. This paper intends to grasp the ideological and cultural essence of Zhong Lihe’s works as a whole, by overall inspecting and studying his novels, so as to reveal the historical and cultural significance of Zhong Lihe, being the“existence of bitterness”.更多还原