【作者】 朝鲁；

【导师】 何红霞；

【作者基本信息】 内蒙古师范大学 ， 中国少数民族艺术， 2006， 硕士

【摘要】 萨满教是一种原始多神教,它曾普遍存在于我国北方各少数民族地区,是一种历史悠远,对人类生活产生过重要影响的,但又被现代文明所逐渐遗忘的一种文化现象。萨满教造型艺术品,作为记录其宗教信仰的主要媒介,它不仅是其宗教观念的体现,更是北方先民智慧与审美文化的象征。近年来,在我国考古事业的发展和民族文化与非主流文化日益受到关注的趋势下,“萨满教”这个被人们误解、遗忘了多年的文化现象,重新又引起了人们热切的关注,很多学者纷纷从不同角度对其进行研究、分析,并出现了一批有关萨满教的优秀论著。但多数著作将目光放在对萨满教造型艺术品的搜集分类或对其思想观念、行为本质的分析上,相比之下,对于萨满教造型艺术本身的形式特征与审美特征等审美范畴领域的研究显得有些薄弱、零散。本文针对以上现象,在大量阅读学者们的论著与图象资料后,将论文从以下三方面进行了论述:一、萨满文化概说;二、萨满教造型艺术的审美内涵;三、萨满教造型艺术的文化内涵。本文在书写方法上力图准确地归纳丰富而庞杂的萨满教造型系统,渴望从中寻找它们的共性特征和其中体现出来的北方民族特有的审美情感,并运用一些相关领域的理论和材料,结合自己对它的心灵感受,将它原始稚拙而神圣怪异的美感解释给大家,让人们真正体会和感受到这种原始艺术中特有的审美内涵,为人们揭开萨满教造型艺术的神秘面纱,进一步了解萨满教造型艺术的审美文化开辟一个新的视角。更多还原

【Abstract】 Sa Man Religion, a primitive polytheism , which once existed in minority district in north China , is a religion that has a long history and has important effect on human life , but at the same time is forgetten by modern civilization.The artwork of Sa Man Religion , as a main medium of recording its belief , is not only a reflection of its religion concept , but also the symble of intelligence and a aesthetic appreciation culture of northern ancesfer . In recent years ,as the development of archaeology and the popularity of national and non-national culture , Sa Man Religion , being forgotten for many years , is being paid attention to by savants , who do research on and analyse it and produce many good work about Sa Man Religion . But most of the works put their eyes on the classification of artwork or analyse of its concept and behavior essence . Comparatively speaking , research on characteristic of the model art and aesthetics in the area of aesthetics seems weak and scatered .Based on works and pictures , this paper can be divided into 3 parts .一. generality of Sa Man Religion culture .二. aesthetic connotation of the model art .三. culfure cornectation of the model art .This paper is trying to generalize the rich and huge model system of Sa Man Religion exactly in written form , eager to find the common charicteristic and aesthetics emotion that belongs peculiarly to northern nation . with relevant theory and maferial and author’s own spiritual fecling , this paper is going to translate holy and weird aesthetic feelings in order to make people know and feel the peculiar aesthetic connotation of primitive art更多还原