【作者】 格日乐图；

【导师】 呼格吉勒图；

【作者基本信息】 内蒙古师范大学 ， 中国少数民族艺术， 2006， 硕士

【摘要】 本文是从蒙古四胡的发展历史及其演变过程,对蒙古族传统乐器之一胡兀日,在艺术表现力方面的各个角度进行阐述。内容包括:(1)蒙古四胡的历史寻踪及其古代北方少数民族乐器,奚琴与稽琴、马尾胡琴与胡兀日、提琴与四胡的形成;(2)蒙古四胡的国内外流布情况和蒙古低音四胡、中音四胡以及高音四胡的乐器制作形制和表现特点;(3)蒙古四胡与蒙古族传统曲目胡仁·乌力格尔、胡仁·好来宝及其民间音乐中的作用,传播以及普及作用;(4)在蒙古族民间乐队中,中音四胡的不可磨灭的关系;(5)蒙古四胡的风格流派、演奏家、作曲家以及蒙古四胡独奏曲的作品分析;(6)蒙古四胡的近几年来的状况以及未来的发展前景。更多还原

【Abstract】 This article expounds the art expression of Mogolian Hur, one of the Mongolian traditional musical instrument from all aspects and from the developing history and process. The content includes:(1) Look for the history of Hur and the forming of national minority musical instrument in the northern part in ancient times, such as Jiqin, Maweihuqin and Hur, Violin family and Hur; (2)The spreading situation of Mongolian Hur, both at home and abroad, the manufacture and characteristic of all kinds of Hur; (3) The spreading universal functions of Mongolian Hur and other folk music, such as Hurn Wuligeer, Hurn Haolaibbao; (4) The close relationship between folk ouchestra and alto Hur; (5) The style tributary, instrumentalist and composer of Mongolian Hur and works analysis of Mongolian Hur instrumental solo performance; (6) The recent conditions and developing prospect in the future of Mongolian Hur.更多还原