【作者】 樊华；

【导师】 陈子平；

【作者基本信息】 苏州大学 ， 中国现当代文学， 2006， 硕士

【摘要】 韩东最早以诗人闻名于文坛是在上个世纪八十年代,但从上世纪九十年代直至当下,他主要是以小说闻名,探究其诗歌已成为显学,但对其小说创作研究却还远远不够。众多研究者或以“晚生代”群体特征来宏观概括,难免失之笼统;或以其单篇作品作为研究对象,难免挂一漏万。本论文试图丛整体上考察其写作资源,以历史和当下两个维度来切入其文本世界。本文认为韩东对文革历史的“复写”多采取个体化视角,抛弃宏大整体和本质的历史观,挖掘被遮蔽的历史真实,重点分析其长篇小说《扎根》;对当下经历的叙写则重点考察其个体化建构的努力,以其长篇小说《我和你》为重点研究对象。论文方法上取西方互文性理论来探讨进入韩东文本的方式,在跨文本研究中凸显其艺术特质。另外,韩东以领导“断裂运动”名于文坛,本文尝试简述其创作身份和对权力体制质疑的创作成果。更多还原

【Abstract】 Han Dong, who got his reputation for his poetry in the 1980s, was famous as a novelist since the 1990s. The research on his poetry has been prominent, whereas little attention has been paid to his novel writing. Many researchers’comment of“newly-born generation”proves to be an overgeneralization. Some conduct their research on only one of his works and turn out incomprehensive results. Adopting historical and contemporary perspective, this paper conducts an all-around research on his works. Through the analysis of Han Dong’s novel The Root, this paper shows that his“reflection”of Cultural Revolution adopts an individual perspective, instead of the macro and real historical view. By focusing on his novel You and Me, this paper demonstrates how he constructs the individual in describing the contemporary elements. This paper adopts the western intertextuality theory to investigate into Han’s works and show its aesthetic value by intertextual analysis. Han is famous for calling for‘split’action. This paper also makes an attempt to investigate his production of his challenge against writing status and power system.更多还原