【作者】 窦可阳；

【导师】 沈文凡；

【作者基本信息】 吉林大学 ， 中国古代文学， 2006， 硕士

【摘要】 李白对《庄子》的文学接受,是中国古代文学的历史之链中的一个极具典范意义的现象。在他的九百余首诗歌中,与《庄子》有关联的诗歌即多达一百余首,李白并在很多方面极具创造性地接受了《庄子》,其中既有直接的接受,也有间接的接受。通过对接受美学理论、中国古代文论相关文献的考察,以及李白对《庄子》之文学接受线索的探寻,本文得出这样的结论:李白对《庄子》的文学接受始终处于中国文学接受的整体性的历史之链当中,它是李白与《庄子》本文的对话和交流,是两种视野的融合,这一融合过程又是极具原发创生性、整体性和流动性的文学现象,它既是《庄子》的视野融入李白的期待视野的过程,也是《庄子》本文的“召唤”结构中的“空白”为李白的接受活动所填补、本文的意义得以为李白的文学创作所再现的过程。更多还原

【Abstract】 This thesis has five sections.The first section introduces the origins, basic ideas and present achievements of the study of Reception Aesthetic on account of the western cultural background in contrast with the classical Chinese literature background. Following that, the thesis makes a further introduction about the improvements and problems of the combination of Reception Aesthetic and the study of Chinese Literature and summarizes the fundamental principles of the Reception Study of Ancient Chinese Literature: taking a firm accumulation and collection of literature texts as the basis, and the specific literature reception as the penetration of research, while avoiding the goals of research being too unrealistic as well as the mechanical links between the theories of the east and the west.The second section makes a comparison of the view on text of Reception Aesthetic and the acknowledgement of three levels: Wording, Xiang and Mean as the view on text of ancient Chinese study. The latter view is characterized by features of sequence, gaps and intuition, that coincides with the reality of the development of the view on wording and meaning. Thus, the thesis explains the three levels respectively, and specifically stresses the Inviting Features of the text of Zhuang Zi: the wording level of Zhuang Zi is an experience of Tao, which conveys Tao through the building of Xiang, while the Tao in Zhuang Zi is Void from the view of Ontology. The Void is complete and self-sufficient, always flowing and originally creative and therefore forms the uncertainty in the inviting reception text of Zhuang Zi.更多还原