【作者】 张彬；

【导师】 张慧；

【作者基本信息】 东北师范大学 ， 音乐学， 2006， 硕士

【摘要】 拉赫玛尼诺夫的《帕格尼尼主题狂想曲》OP.43。作于1934年。1934年首演于巴尔的摩,1935年首演于英国曼彻斯特。本曲包含对帕格尼尼第24首A小调小提琴随想的24个变奏。拉赫玛尼诺夫的《帕格尼尼主题狂想曲》是狂想曲体裁写成的钢琴协奏曲的典型代表。狂想曲体裁的钢琴协奏曲是边缘学科,是融合钢琴狂想曲、钢琴协奏曲双重形式、双重特点的钢琴体裁。在乐曲曲式与钢琴技巧上均具有独特的创造性。要理解好拉赫玛尼诺夫的《帕格尼尼主题狂想曲》,除了要求演奏者有全面的技巧外,还要探索作曲家当时所处的时代背景、创作动机,作曲技法与乐曲结构。本文作者研究拉赫玛尼诺夫的《帕格尼尼主题狂想曲》,一方面通过分析作品、作曲家,寻求作品与这一体裁形式的关系;另一方面,希望理解作者通过这一体裁所要展示的曲意,来更好的了解这一体裁。使钢琴教学者、钢琴学习者在诠释这一作品时有丰富的理论依据。本文以狂想曲体裁的钢琴协奏曲拉赫玛尼诺夫的《帕格尼尼主题狂想曲》作为研究范围。相关作曲家的时代背景、钢琴作品特征及其与此乐曲相关连的音乐结构、钢琴技巧,皆为本文的研究范围。本文以狂想曲体裁的钢琴协奏曲的综述;狂想曲形式的钢琴协奏曲作曲家及作品简介;拉赫玛尼诺夫的《帕格尼尼主题狂想曲》;拉赫玛尼诺夫的《帕格尼尼主题狂想曲》音响资料及其鉴析;拉赫玛尼诺夫的《帕格尼尼主题狂想曲》带来的音乐艺术表演与表演技巧上的思考。作为本文的写作框架。更多还原

【Abstract】 Rachmaninov“Rhapsody on a Theme of paganin”writed in 1934 First playing in the same year .First playing in England in 1935. Rachmaninov“Rhapsody on a Theme of paganin”Piano concerto in the form of fantasy is an inter-discipline. It is a piano genre which mixes the forms of fantasy and concerto and their characteristics. It is creative in music form and playing skills in an unique way. In order to well understand piano concerto in the form of fantasy, it is required that the players have complicated playing skills. Also, it is necessary to explore the background of the composer, the motive and skills of composing and the structure of music.The author of this thesis tries to investigate piano concerto in the form of fantasy. On one hand, she investigate the relation between the work and the genre through the analysis of the music and the composer; on the other hand, she hopes to understand the genre better and provide piano teachers and learners with theoretical frame in expressing it by bring forth the meaning of this genre. The research scope of the thesis is piano concerto in the form of fantasy. In addition, the background of related composers, characteristics of the works and the structures some related music work, playing skills are also in the scope.The paper analyzes the magnum opus Rachmaninov“Rhapsody on a Theme of paganin”in with the survey of piano fantasy, piano concerto and piano concerto in the form of fantasy. It is framed by the introduction of composers of other types of piano concertos in the form of fantasy and their works, the summary of piano concerto in the form of fantasy, the reflection on its music performance and playing skills. framed更多还原