【作者】 赵瑛瑛；

【导师】 喻家楼；

【作者基本信息】 合肥工业大学 ， 英语语言文学， 2006， 硕士

【摘要】 《简爱》,夏洛蒂·勃朗特最优秀的一部文学作品,自一八四七年问世,就被看作是英国小说中最受欢迎的一部。其结构娴熟,主题隽永,语言完美,出神入化,表现了作者高超的艺术技巧和语言天赋。正因为其语言风格独特,用词寓意深刻,句式变幻复杂,形式多样,人物语言丰富高雅,造成了翻译的复杂性和困难性。因此对该作品的翻译研究对整个文学翻译研究有着一定的实用价值。 首先,根据语义对等和风格对等翻译原则,本文对分别由祝庆英和黄源深翻译的《简爱》两个译本从意义转换和风格转换两个方面作了较为系统详细的对比研究。 在意义转换对比中,本文将刘宓庆对意义的定义与分类和语义学语用学理论相结合,比较了两个译本在语义对等方面的优劣得失,并探讨了语义分析在文学翻译中的重要性。 在风格转换对比中,本文从两个方面比较了两个译本—对叙事性语言的再现和对对话语言的再现。因为在小说中,叙事性语言和对话语言是原作风格的重要体现。这两方面的移译是评价译本是否再现原作风格的基本依据。 其次,对两位译者所采用的翻译方法进行了比较。在翻译实践中,每个译者都有一些指导原则,区别在于自觉与不自觉。在这些原则的指导下,译者选择怎样来翻译作品。研究译者的指导思想和翻译方法对评价译本具有很重要的意义。因此,根据异化法和归化法这两种不同的翻译方法,本文对两位译者所采用的翻译方法进行了比较。 通过对比研究,作者发现两位译者采用了两种不同的翻译策略来翻译原文,从而使译本产生了不同的效果。文学翻译是一种再创作。其最高标准是实现语义和风格最切近最自更多还原

【Abstract】 Since its publication in 1947, Jane Eyre, Charlotte Bronte’s best literary production, has been considered one of the most popular of all English novels. In this novel, Charlotte Bronte displays a marvelous talent in language by her flexible use of various linguistic devices. All such semantic and stylistic features, like the original diction with rich cultural information, diverse syntactic structures and elegant language, distinguish the novel from others and meanwhile pose great difficulty in the process of translating from English into Chinese. Therefore, the study of the Chinese versions of Jane Eyre will be of great values to the study of literary translation.Firstly, according to the translating principles of semantic equivalence and stylistic equivalence, this dissertation makes a systematic and detailed comparison of the two Chinese versions of Jane Eyre, which are translated by Zhu Qingying and Huang Yuanshen respectively. The translation critique goes forward from two aspects: meaning transference and style transference.During the comparison of meaning transference, this dissertation combines Mr. Liu Miqing’s definition and classification of meaning with some semantic and pragmatic theories to evaluate whether the types of meanings are transferred in the two translations and to discuss the importance of semantic analysis in literary translation.As to the transference of the style, this dissertation compares the two versions from two aspects — reproduction of the narrative language and reproduction of the language characteristics of the dialogues, since in fiction there is always a contrast between the styles of narrative language—the language the writer uses to tell the story, and of conversational language—the language the characters use in their dialogues.Secondly, the translation methods adopted by the two translators are compared. All translators, whether consciously or unconsciously, would base their work on certain principles of translation. Under the guidance of these principles, translators decide what they should do and how the translation should be done. A careful study of the translators’ principles will help usexamine their translations. Thus the two different methods adopted by the two translators will be compared according to two different translation methods, that is foreignization and domestication.Through the comparison, the present author finds that the two translators make use of two different means to handle certain linguistic phenomena, and in the end the two translations have different effects on the readers. Literary translation is a kind of re-creation. The highest level of literary translation is to achieve the closest natural equivalence in meaning and style. Although absolute equivalence is impossible because of the differences between English and Chinese, the closest natural equivalent translation is the aim that translators must seek.更多还原