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摇钱树及其图像的初步研究

Primary Study of the Form and Idea Expression of the Money Tree

【作者】 刘隽

【导师】 卢丁;

【作者基本信息】 四川大学 , 美术学, 2005, 硕士

【摘要】 摇钱树是汉晋巴蜀文化圈内流行的一种树形随葬器。其造型与装饰(?)匠是器物赖以生存的思想及社会环境的一种间接反映。对器物本身及其生存背景的相关分析,将在一定程度上还原当时被固化的社会现实。 本文的结构可以归纳为三个部分,第一部分着力于对实物遗存进行类型学的归纳与分析,其中包括摇钱树的分期与分布特点、摇钱树各组件的类型学分类、摇钱树整体类型组合的分析等等,目的是为了建立若干摇钱树形态发展的时间序列。然而摇钱树在历史上的出现相当短暂,而且无论是考古还是文献资料,都不足以使我们将20个世纪前摇钱树发展的历史放大到以年,甚至十年为单位来更加生动地讨论其随着时代的变化。所谓的发展线索只是一种理想化的粗线条的论断,现实中的形态发展,以交叉并置、此起彼伏来描述或许是更加中肯的。 第二部分是针对摇钱树上关键性的装饰艺术题材进行的择要解说。对于摇钱树题材及数量的分类对比使我们注意到佛教在西南地区东汉中晚期的流行状态很大程度超出了原有的想像,而且几乎从一开始,佛的造像与同期乃至以后相当长的历史时期内其它地区造像相比较,具有仪轨严格,造像准确的特点,创造性因素相对而言不明显。佛像在蜀地的百年发展中经历了由器物装饰到独立偶像的全过程。同时本文强调仙境信仰与早期佛教在民间并行不悖的互动成长,它们共同经历了汉魏之间蜀地民间思想的繁荣与衰落。 第三部分涉及摇钱树造型与思想源流的讨论,指出摇钱树的内涵是一个有着丰富层次的意象群体。同时认为,摇钱树是一种专门用于丧葬的冥树,但有可能在丧仪中扮演一定的功能。

【Abstract】 The Money tree,discovered in Cave tombs and brick tomb chamber through archaeological excavations, prevailed in bashu culture area during the late Han and Three- kindom period. It is one of the important funerary objects buried with the deceased at that time. But after that it disappeared inside out along with the ideas included in its decorative motif.This article discusses several problems about this brilliant artifacts.Firstly, based on the collected substantial information,to find clue to the pictorial structure and theme development during its prevalence;Secondly, to analyze How and why the Money tree disappeared after the Three Kingdom period;Thirdly, to generalize the symbolic meanings of the money tree that can be divided into several levels.at first, the wuzhu coin \ animal \ plant pattern on the bronze leave reflected traditional Chinese auspicious omen. Second,the combination usage of the mud and bronze material showed the Chinese land worship, moreover, the mountain appearance of the claybase gave an impress of legendary mountain. And the last,since the structure of the money tree offered an imaginary way for the flying soul to get to the Chinese heaven, it can also be seemed as an universal tree.After the buddhism spread eastward in Han dynasty,there’re several changes among Chinese traditional belief .Different imaginary realm for afterlife were accepted, as well as budda and Xiwangmu were both believed to be the god of them.Sometimes they were confused,but West Heaven and Chinese wonderland always had paralleled structure on the Money tree.

【关键词】 摇钱树墓葬艺术西王母仙佛模式
【Key words】 Money treeFunerary artXiwangmuCelestial-budda pattern
  • 【网络出版投稿人】 四川大学
  • 【网络出版年期】2006年 06期
  • 【分类号】K878.9
  • 【被引频次】14
  • 【下载频次】2085
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