【作者】 宋蓓蓓；

【导师】 张彪；

【作者基本信息】 合肥工业大学 ， 设计艺术学， 2005， 硕士

【摘要】 本文通过对国内外文字的初步研究,纵观它成为现代设计广泛应用的一种符号现象,总结文字符号视觉性发展的总体特征、设计方法与审美价值。结合当代的优秀设计案例,就文字符号在现代设计的各个领域,如:平面设计、景观雕塑与装置、建筑与环境设计、家具设计及服饰等方面的体现与应用做出归纳。重点论述了在新的东、西方融汇、传统与现代重构的文化背景中,文字符号与现代设计之间存在的重要关联性与延伸意义,并由此引发独特的文字符号深层意象,探讨新的设计意象思维规律,最终发展成为完整的“现代设计意象观”这一理论见解。更多还原

【Abstract】 In the thesis, the general character and designing methods and aesthetic value of evolutively visual track of literal symbol can be concluded by having a primary research in the Chinese characters and foreign letters and having a vertical scan the phenomenon of the Chinese characters and foreign letters as a symbol being used in modern design widely. Following it, the embodiment and the application of literal symbol being used in different fields of modern design, especially in the architecture and the enviroment,thesculpture and the setting and the planar design, are being deduced, relating with contemporarily excellent designing demos. It shows the key connections and extended signicances between literal symbol and modern design, which lead to a distinguishably deeming imago and were converted into a systemic theory," the theory of designing imago".更多还原