【作者】 陈洪娟；

【导师】 鲜于煌；

【作者基本信息】 重庆师范大学 ， 中国古代文学， 2005， 硕士

【摘要】 本论文认为,南朝辞赋在赋的发展长河中存在着自身的显著特色,不可忽视。以此为切入点,对南朝辞赋现存的大约275篇作品进行了深入研究。不仅详细地分析了文本的整体特点,而且还力争站在当时历史、文化、审美的角度,对其特点存在的合理性做出阐释,高屋建瓴地观察辞赋与这一时代的整体关系;同时,又从中跳出来,以现代人的文学眼光对文本进行评价,从而真正认识南朝辞赋在中国古代赋史上的地位、意义。 本论文主要包括三个部分。 第一部分,考察南朝辞赋题材选择的时代精神及原因。南朝随着寒门掌权的兴起,世族逐渐被排挤出政权的核心,仅能自保家门而已。他们或寄情于山水、琴棋书画,或沉溺于女色,从原来广阔的、积极进取的社会人生退缩,其精神气质显得愈来愈纤弱。这种心态直接影响了整个南朝时期辞赋创作的题材选择,使其烙上了明显不同于汉、魏、晋赋的特征——“所咏之物趋于纤弱”、“所咏之情趋于低沉”、“所咏之人趋于柔媚”。 第二部分,考察赋这一文学体裁在南朝时期所呈现出来的诗化倾向,表现于诗形、诗情、诗境等方面。本文对此诗化倾向的原因做了初步探析:第一,伴随着南朝文人特殊生活经历,所产生的情感体验是细腻柔弱、低徊婉转的,他们对这种情感体验及取向,难以用文字作周详的表达,或高度概括,或留下“空白”,从而导致了文本形式的短型化;第二,当时“放荡”的抒情文学观与不拘常体的呼声,促进了情感的自由抒发,打破了文体之间的界限;第三,汉、魏之后,文人的五、七言诗歌(当时是一种有生命力的、新兴的力量)及民歌(吴声、西曲)的发展,相对赋来说,处于强势状态。南朝辞赋在一定程度上受到影响,乃至被同化,是必然趋势。 第三部分,考察南朝士人所追求的“耳目之悦”。“目悦”表现为讲究句式整对、色泽华丽,“耳悦”表现为对声律和谐的追求。赋中意义的弱化和对形式的极力追求形成了鲜明对比,本文从创作心理、创作方式、创作环境以及接受心态等角度分析了造成此现象的原因。并且,结合鲍照、江淹的辞赋,分析“耳目之悦”的形式美与生命体验相结合的问题,认为“耳目之悦”只有与生命体验融为一体,才能创造出“理想的艺术生命之躯”。更多还原

【Abstract】 The thesis makes deeply research on about 275-piece Prose-poem of Southern Dynasties on the basis of the thought that it has distinctive characteristics in long river of Prose-poem development. The thesis analyses text at large, but attempts to give a reasonable interpretation to the characteristics from angle of history, culture, aesthetics then; observes the relation between times and Prose-poem, and evaluates it in the sight of modern literary. Accordingly we understand the position and meaning of Prose-poem of Southern Dynasties in the history of Chinese ancient Prose-poem.The thesis mainly consists of three parts.One chapter, investigate time spirit and reasons of theme choice. As poor and humble families came into power, a family of officials for generations was pushed out from the core of political power step by step in Southern Dynasties. They expressed love to landscape, or indulged in woman’s charm, shrunk back from the broad and aggressive life, and formed slim temperament. The state of mind effect theme choice of southern dynasties Prose-poem immediately that is different from Prose-poem of Han, Wei, Jin Dynasties. That is slim and fragile meaning.Two chapter, investigate poetic trend of Prose-poem of Southern Dynasties. The thesis attempts to explore reasons of the trend. Firstly, because of special undergo of their in Southern Dynasties, writer taste of exquisite, mild, roundabout of sensibility that is difficult to describe elaborately, and leave beside text’s room, then lend to short essay. Secondly, expressing one emotion freely—an literature idea of unconventional, break through boundary of style. Thirdly, artist’s poem and ballad of the day with five or seven characters to line developed strongly after Han and Wei Dynasties. They have an important effect on Prose-poem of the day.Three chapter, investigate joy in form what writer of the day chased blindly. They are particular about the sentence pattern, color, harmonious of Prose-poem. The thesis analyses the reason that they chased form blindly from aspect of the psychology, manner and environment of creation, and the mentality of receiver. Also, the basis of Prose-poem of Jiangyan and Baozhao, the thesis explore the problem of ties of form and lively feeling, and hold the view that if only the fusion of form and lively feeling, perfect work of art is created.更多还原