【作者】 李明；

【导师】 黄琳；

【作者基本信息】 四川大学 ， 设计艺术学， 2005， 硕士

【摘要】 电影的叙事是电影艺术理论重要的研究课题之一,其对于电影艺术的发展具有重大的意义。本论文主要对特殊文化影像系统的叙事做了深入的研究。 电影的传统分类方法是根据影片叙事机制的性质而分为战争片、凶杀片、爱情片等等。在建立起“一般现实逻辑”的范畴时,从影片的叙事机制和一般现实逻辑的关系的角度,把电影分为象征影像系统、真实影像系统、抽象影像系统、神化影像系统、特殊文化影像系统、兼容影像系统六类。特殊文化影像系统的叙事机制的营造依据不是源自于一般现实逻辑,而是源自于某种特殊文化学说,比如,精神分析学说,存在学说,符号学说等。特殊文化影像系统的叙事机制的合理性或逻辑性,只能在某种特殊文化学说中才能得到合理的解释和理解,而在一般现实逻辑层面上则不具备合理性。 本论文从电影的叙事角度分析了几部具有特殊文化学说的影片,更多还原

【Abstract】 The film narratology is an important question for study of film theory. It is very important significance to develop the film art and technogy. I has studied profoundly the characteristic of the special culture film in the thesis.By tradition, film has been classified for Film noir, Science-fiction film, and Opera film, Whodunit, War film etc.I has been set up a category of realistic logic, then film also has been classified for special culture film realistic film, abstract film, symbolic film, mythical film and compatible film .The narrative of special culture film has not builded up the category of realistic logic, but some special theory, for example, psychoanalysis theory, semiotics cinema, and so on.in the other word, the special culture film can not be explain reasonalably in the realistic logic, but some special culture. I have summarized the characteristic of special culture film from three special culture films.更多还原