【作者】 张华；

【导师】 谢谦；

【作者基本信息】 四川大学 ， 中国古代文学， 2005， 硕士

【摘要】 词肇自隋唐,盛于两宋,衰弊于元明。自明之末叶,词在特殊的条件下重崛起,艳称“中兴”。时“一唱百和,未几成风,无论一切诗人皆变词客,即闺人稚子,凡能读数卷书,识里巷歌谣之体者,尽皆作长短句。” 清代是中国传统文学的总结时期。不仅学术如此,文学亦然。在此大气候下,词学获得了空前的繁盛。然则从元明词的衰弊到清词的中兴,必然有其缘由,这篇小文就是对清词中兴之成因略作探讨。本文共分四章。第一章从元明词的衰弊、明季词坛的复兴及云间派余韵流响出发,分析了清词中兴的背景;第二章从清初统治者的文化政策出发,探讨了清廷对诗文的高压及对词的相对宽容之文化政策于清词中兴的影响;第三章从文人雅集筵会之风盛行,来看文人唱和对于清词中兴的关系;第四章主要陈述了有清一代词派的繁盛于清词中兴的推波助澜;最后在结语部分,对于清词中兴表象作一小结。更多还原

【Abstract】 Lyric, as a literary genre, first appeared during Sui and Tang Dynasties, became prosperous during Song Dynasties, and declined during Yuan and Ming Dynasties. Whereas, under special circumstances, it revived at the end of the Ming Dynasty, as was called the resurgence of the lyric. At that time, lyric was surprisingly pervasive. Almost all the poets turned to write the lyric. And all the people, who can read and understand some popular forms of the lyric, even women and children, can write the rhythmical songs combined with long and short sentences.Qing Dynasty was the period to summarize the traditional Chinese literature. This characteristic showed not only in academic field, but also in literary field. Under such social circumstances, lyric became incomparably prosperous. Whereas, there should be causes for its declination during Yuan and Ming Dynasties, as well as for its prosperity in Qing Dynasty. This thesis is devoted to discuss the causes of the formation of lyric’s resurgence in Qing Dynasty. The thesis is divided into four chapters. Chapter one starts from the declination of the lyric in Yuan and Ming periods, the renaissance of the Lyric writing in Ming Dynasty and the influence of the Yunjian school to analyze the background of the prosperity of the Lyric in Qing Dynasty. Chapter two discusses the influence of Qing’s cultural policy on the resurgence of the lyric in this period of time, through analysis of the high pressure of the Qing government on poetry and prose and the comparatively tolerance onlyric. Chapter three focuses on the impact of get-together parties and feasts of the literati on the resurgence of the lyric in Qing Dynasty. Chapter four mainly concentrates on the function of the prosperity of the lyric rends in the resurgence of the Lyric in Qing Dynasty. At last, the thesis makes a conclusion to the resurgence of the lyric in Qing Dynasty.更多还原