【作者】 时培根；

【导师】 杜贵晨；

【作者基本信息】 山东师范大学 ， 中国古代文学， 2005， 硕士

【摘要】 《剪灯新话》是明代第一部传奇小说集,也是明代传奇小说的代表作。它的出现使文言小说的创作在经历宋元两代的衰落之后,重新焕发生机,在从唐宋传奇到清代《聊斋志异》这两座高峰之间,搭建起一座过渡的桥梁,对明清时期的小说与戏曲产生了很大影响。《剪灯新话》在中国小说史和中国文学史上占有重要地位,具有较高的研究价值。针对《剪灯新话》总体研究很不充分的现状,本文从著作权、题材来源、思想、艺术等方面进行了分析和探讨,以期改变以往对其评价偏低的看法,进而更为客观地评价其文学价值与文学成就。本文首先对《剪灯新话》的著作权问题予以论证辨析,指出了杨维桢说、卢景晖说、集体编辑成书说的矛盾和不足,进一步确认了瞿佑对《剪灯新话》的著作权。对于《剪灯新话》的题材来源,则着重从六朝志怪、唐宋传奇、宋元话本、传闻遗事、瞿佑诗词诗话等五个方面加以考察,印证了《剪灯新话》对过去文学创作经验的继承借鉴与创新突破。思想上,主要论述《剪灯新话》刺世嫉邪、感士不遇、反映爱情悲欢、渗透宗教因素、突出世俗化倾向等方面的内容。《剪灯新话》现实性强烈,描写战乱带来的灾难与痛苦,巧妙借灵怪题材嘲讽现实,揭示了社会的黑暗,鞭挞了道德的沦丧,寄寓了士人的愤世心态,具有鲜明的“乱世文学”的特征,显示了向唐传奇传统的回归。《剪灯新话》折射出元末明初一代文人士子的生存遭遇与心路历程,也是作家个人心曲的抒发和表露。它不同于唐传奇,不是为了表现士子的风流韵事与科举荣辱,而是重在感士不遇。小说还反映了青年男女爱情与婚姻的悲欢离合。与唐传奇多写士族婚姻制度下士子始乱终弃造成女子的悲剧不同,其爱情悲剧多以元末明初的社会动乱为背景,悲剧的主人公、悲剧发生的原因及最终的结局均出现了新的特点。《剪灯新话》深受儒道佛“三教”的影响,体现了儒家的鬼神观,渲染了佛道环境,刻画了佛道人物,出现了儒道佛杂糅的现象。三教合一说因果,体现出小说家劝善惩恶的创作目的。文言小说发展到宋代尤其是南宋出现了明显的通俗化现象,文言小说的通俗化开始造成文人文言小说和市民话本小说一定程度的合流趋势。明初的《剪灯新话》则标志着话本体传奇的新生,从人物地位身份的平民性、情欲观念的世俗性与审美情趣的市井性等方面表现出鲜明的世俗化倾向。艺术上,重点分析《剪灯新话》塑造人物形象、刻画人物心理、运用梦幻手法、追求象征意蕴、语言散韵结合等方面的特色。《剪灯新话》塑造了叛逆者、书生、商人、农民、女鬼、痴情女子、宗教人物等丰富的人物形象。其中叛逆形象与女鬼形象对《聊斋志异》的人物塑造产生了一定影响。而世俗的农民、商人等下层民众成为《剪灯新话》中的主人公,这是文言小说的一大变化。小说注重心理描写,大致可以分为通过语言、行为揭示人的心理和直接描写人的心理等几种情况。生动细致的心理描写,反映出人物在特定环境中的内心世界,揭示了人物的精神状态与性格特征。《剪灯新话》继承更多还原

【Abstract】 Jian Deng Xin Hua was the first legendary stories collection inclassical Chinese of Ming Dynasty, and was a masterpiece of the legendarystories of Ming Dynasty too. Its publication made legendary stories inclassical Chinese radiate vigour again, after going through the twodeclines in Song and Yuan Dynasty. It built a transition between thesetwo peaks, from legendary stories of Tang and Song Dynasty to Liao ZhaiZhi Yi of Qing Dynasty, thus had a great influence on novels and operas inthe period of Ming and Qing Dynasty. It occupies the important positionin Chinese novel history and Chinese literature history, has higherresearch value. This thesis tries to research from the four respectsincluding copyright, subject matter source, thought, and art, for thereason that overall research on Jian Deng Xin Hua is insufficient incurrent academic circles.The first chapter differentiates and analyses the copyright questionof Jian Deng Xin Hua, pointing out contradictions of View of Yang Weizhen,View of Lu Jinghui and View of Collection by several writers, confirmsthat Qu You copyright is the writer of Jian Deng Xin Hua further.This thesis analyses subject matter source of Jian Deng Xin Hua,focusing on the five respects, which are strange stories during SixDynasty period, legendary stories of Tang and Song Dynasty, scripts forstory-telling of Song and Yuan Dynasty, rumor incidents of the past agesand Qu You’s poems. And the analysis proves that Jian Deng Xin Hua hasdrawn previous literature experience and made further development.Jian Deng Xin Hua has deep thought contents, such as its satirizingreality, reflecting joys and sorrows of love or marriage, religiousfactoring, common customs of inclined toing etc.The realistic characteristics of Jian Deng Xin Hua are strong. Itdescribed disaster, atoned chaos caused by war, jeered at realityingeniously, announced darkness of society, castigated ethical decay,resided the intellectual’s psychology and returned to the tradition oflegendary stories in Tang Dynasty. Jian Deng Xin Hua, different from legendary stories in Tang Dynasty,reflected the intellectual’s existence and mind experience in later YuanDynasty and earlier Ming Dynasty and expressed Qu You’s personalexperience. Jian Deng Xin Hua also reflected the separation and reunion ofyoung men and women’s love and marriage. Its love tragedy with socialturmoil of background,had new characteristic of tragic protagonist,tragic reason and final final result ,which was different from woman’stragedies caused by the marriage system of Tang Dynasty.Confucianism andBuddhism and Taoism affected Jian Deng Xin Hua deeply, reflecting theviews of ghosts and gods of the Confucianists, playing up Buddhism andTaoism environment, portraying Buddhism and Taoism personage, andappearing phenomenons mixed by Confucianism and Buddha. Confucianism andBuddhism and Taoism said cause and effect, embodying novelist’s advisingand punishing of creation purpose.The classical Chinese novel presentedthe obvious popularized phenomenon in Song Dynasty, especially SouthernSong Dynasty. The popularization caused the trends of meeting betweenscholar’s classical Chinese novel and citizen’s script for story tellingto a certain degree. Jian Deng Xin Hua marked new legendary noumenonn anddemonstrated distinct common customs inclination. Jian Deng Xin Hua reviseses its artistic characteristics in personageimage, psychology description and dreamlike tactics, signify connotationand language. Jian Deng Xin Hua has moulded such abundant personage’s images as therebel, intellectual, businessman, peasant, woman spirit, unreasoningpassion woman, religious personage, etc. Rebel and woman spirit imageinfluence characterization in Liao Zhai Zhi Yi. And such people of lowerfloor as the peasants of the common customs, businessman become更多还原