【作者】 关士礼；

【导师】 魏建；

【作者基本信息】 山东师范大学 ， 中国现当代文学， 2005， 硕士

【摘要】 亦舒言情小说与金庸的武侠小说、倪匡的科幻小说一起,并称为“香港文坛三大奇迹”。亦舒小说在20 世纪80 年代初和琼瑶小说一同作为港台言情小说中的重要作品引进大陆,当时未受到特别关注。90 年代后期,大陆出现亦舒小说热,亦舒小说被读者称为白领女性教科书,亦舒成为文学网站上点击率最高的作家,各网站均收有其近百部长篇小说、数百篇中短篇小说及杂文作品。1999 年钟晓毅《亦舒传奇》的出版标志着大陆亦舒小说研究的起步。2001 年至今,学术期刊上出现了数十篇研究文章,研究还很薄弱。主要的问题有:在主题研究、人物研究方面都存在严重的误读;对于大陆接受“时间差”现象这一重要问题没能给出解答。本论文在通读作品的基础上(限于大陆出版和网站收录的96 部长篇小说及数百篇中短篇小说及杂文作品),以归类分析和作品细读结合的方式,对亦舒研究中这三个方面的问题做出了自己的回答,以求达到对亦舒小说独特性的发现。本论文分三个部分展开论述。一、亦舒小说的两大母题。目前的亦舒小说研究中,主题研究还停留在少数所谓“代表作品”解读阶段,且多由先验视角(如女性主义)和先验命题(现代人寂寞)出发,把亦舒小说简单化,狭窄化,由此得出的对亦舒小说总体特征的描述不可能准确。本论文针对目前亦舒小说研究中以偏概全的现象,解读了更多目前研究界尚未触及的作品,进而开掘出了统率亦舒小说的两大母题:“谋生的辛酸”和“谋爱不得的失落”。二、人物研究的钥匙:白领形象文化身份的特殊结构。亦舒小说人物研究一直停留于表面特征(自立自强的职业女性,悲哀寂寞的现代人等等)的归纳。这是与研究者对小说主题的错误认识分不开的。本论文以主题研究的成果为起点,对亦舒绝大多数小说的主人公兼叙述人——白领女性形象进行了重新研究。研究发现,解读亦舒小说人物的钥匙既不是性格,也不是性别,而是人物的文化身份。通过剖析她们悲剧性生存体验背后的心态,论文发现了她们价值观系统与文化身份的特殊结构:她们显在的价值立场是现代的、商业化的,潜在的价值立场却是传统性的;现代价值观以理性方式存在,传统价值观以无意识、非理性方式存在,实际上传统价值观是作家艺术表现的重心,人物文化身份的主体。三、亦舒小说在大陆的接受“时间差”。亦舒小说在大陆的引进时间和当下大陆“亦更多还原

【Abstract】 The romance by Yi Shu has been regarded as one of “three miracles in the Hong Kong literary circle”, just as the chivalrous fiction by Jin Yong and the science fiction by Ni Kuang. As one of the most importance romance authors in Hong Kong and Taiwan, Yi Shu was introduced to the Mainland in 1980s together with Qiong Yao, but didn’t get enough attention at that time. The romance by Yi Shu didn’t popularize until the end of 1990s. Now Yi Shu has become the most popular author in almost all the literary websites, in which hundreds of romance and essays by Yi Shu are available. The publishing of “the Legend of Yi Shu”by Zhong Xiaoyi in 1999 indicated the beginning of critics on the romance by Yi Shu in the Mainland, and there have been quite a few criticisms in journals since 2001. Those criticisms are inferior considering that there is serious misunderstanding in the study of the theme and the characters, and that “the delay of the reception”in the Mainland can’t be solved. This thesis provides its own study aiming at three serious problems in recent criticisms. This thesis is divided into three parts. Chapter one: the two mother themes in the romance by Yi Shu. Recent studies on the theme in the romance by Yi Shu still aim at a few “masterpieces”and always begin with bias such as feminism, which have simplified the romance by Yi Shu and resulted in some mistaken conclusion. Considering those mistakes, the present author read many works on which recent criticisms haven’t touched and find the two mother themes. Chapter two: the key to the study on the characters, i.e. the peculiar construction of the cultural identity of white-collar women. The studies on the characters of the romance by Yi Shu are still superficial, which is related to the mistakes in the study on the theme. With the conclusion of chapter one, this thesis observes the white-collar women who are usually the heroines in the romance and finds that the key to researching the characters is rather the cultural identity than the sex and the personality. This thesis also argues that the peculiar construction of the cultural identity of the white-collars includes not only the modern values更多还原