【作者】 武影；

【导师】 赵庆元；

【作者基本信息】 安徽师范大学 ， 中国古代文学， 2005， 硕士

【摘要】 近几十年来,孟称舜戏曲研究一直呈现出零散性,不利于全面、充分地揭示出孟称舜戏曲创作的价值和意义。因此,本文即采用现代的、科学的研究方法,从各个方面对孟称舜戏曲创作予以整体的把握。在搜集、整理现有材料的基础上,本文对孟称舜的为人、生平与创作,作了较为真实而准确的揭示与梳理。孟称舜的戏曲理论多散见于他的戏曲序言及戏曲评点中,体系性不足,容易为人所忽视与疏漏,本文即从三个方面对其戏曲理论作一鸟瞰式的归纳与揭示,确立了他明末优秀曲论家的地位。孟称舜的三部爱情杂剧,思想与艺术上都取得了很高的成就,与孟称舜的其它杂剧一起,对推动南杂剧的改革与发展功不可没。而孟称舜的传奇《娇红记》更是集中代表了他戏曲创作所能取得的最高成就,充实了明末传奇剧坛,也丰富了中国的古典悲剧史。最后本文还揭示出孟称舜戏曲创作产生的诸多影响,进一步明确了孟称舜在中国古典戏曲史中的地位。更多还原

【Abstract】 In recent years, the study of scholars on Meng Chengshun’s tradional play is scattered, which is not suitable for displaying fully the value and meaning of Meng Chengshun’s creation. Therefore, the present thesis, by means of modern and scientific methods of study, makes an entire certainty from all kinds of aspects. Based on the existing materials, the thesis reveals truly and accurately Meng Chengshun’s personal character、life and creation. Meng’s theory of traditional plays that was only implied in his traditional plays’preface and comment was lacking in system so that it was easy to be oversight and ignored. By displaying and inducing entirely his theory of traditional plays from three sides, the thesis establishes firmly his status of excellent dramatic theorist in the late Ming Dynasty. Meng’s three pieces of Love—Zaju obtained a remarkable achievement in thought and art, played an important role in propelling the reformation and development of Nan—Zaju together with Meng’s other Zaju. Moreover, the Jiaohong Ji Chuanqi that was Meng’s representative work got the highest achievement in Mengs’traditional play, replenished the Chuanqi’s creation in the late Ming Dynasty and enriched the history of Chinese tradional tragedy. Finally, through showing some influence of Meng’s tradional play, the present thesis establishes more clearly the Meng Chengshun’s status in the history of Chinese traditional play.更多还原