【作者】 张岩；

【导师】 张文川；

【作者基本信息】 河北大学 ， 艺术学， 2004， 硕士

【摘要】 钢琴艺术是来自欧洲的音乐艺术,它真正进入中国社会,是在19、20世纪之交。在接受、学习、借鉴这一人类优秀音乐文化成果的同时,中国自己的钢琴艺术也随之孕育、萌芽、成长起来。创作是中国钢琴艺术的主体,中国的作曲家们一直在向着使钢琴民族化的方向努力着。民族化的创作不单单是指在钢琴上弹出中国风格的旋律曲调那么简单,而是要把钢琴这件西方乐器作为工具,创作出具有完全的中国气质,符合中国人审美的作品来,并逐渐形成一套建立在中国调式特性基础上的民族和声。中国第一首发表的钢琴作品问世于1915年,而1934年《牧童短笛》的出现,则标志着中国钢琴艺术创作从早期的探索阶段进入到真正的艺术创作阶段。中国钢琴艺术创作历经近百年的挫折与繁荣,取得较大成就,形成具有多种风格、多种体裁的钢琴曲库,包括改编作品、原创作品,大型协奏性作品等。中国钢琴的民族化进程中许多民族乐器的音色和技巧被引入钢琴曲的创作,这些演奏技术直接反映出中国的钢琴音乐创作对于本民族传统乐器和乐曲的模仿和借鉴。新的时期更多现代技法和新技法的运用,又给中国钢琴创作提供了更广阔的空间和前景。更多还原

【Abstract】 Piano art comes from Europe and entered China at the turn of 20th century. The Chinese piano art began to find its root and grow on the basis of the European piano art. Creation is the main body of Chinese piano art and the Chinese music writers are working hard to make piano art nationalized. The national creation does not simply mean that piano is played with the Chinese tunes and melodies, but that a set of nationalized sound and voice is to be set up by means of the piano, the western instruments. The first work of piano in Chinese piano art has turned from the first stage of probing into the creation stage. The creation of Chinese piano pieces has undergone 100 year’ efforts, including success as well as failures and has achieved great. The sound character in the national instruments and techniques are introduced into the development of Chinese piano art. These techniques directly shows that Chinese piano music creation depends on our traditional instruments and music. The new modern techniques provide a more open vision for Chinese piano creation.更多还原