【作者】 韩洋；

【导师】 汪子良；

【作者基本信息】 西北师范大学 ， 音乐学， 2005， 硕士

【摘要】 罗伯特·舒曼是十九世纪上半叶德国最杰出的浪漫主义音乐家之一。他的音乐创作和音乐的评论,均深刻地反映出当时德国音乐的浪漫主义色彩。他在音乐作品的创作中,既有音乐传统的继承,又在其基础上不断地突破与创新,逐步地形成了具有自己独特风格的音乐艺术语言。1845年创作完成的《A小调钢琴协奏曲》是舒曼音乐创作的巅峰和辉煌。本文就舒曼的《A小调钢琴协奏曲》从三个方面进行论述: 一.舒曼《A小调钢琴协奏曲》的创作背景。 二.对舒曼《A小调钢琴协奏曲》三个乐章所呈现的单一主题的创作思想及在此曲中所运用的音响、和声、对位、旋律、节奏的特殊创作手法进行分析与研究。这是本论文的核心部分。 三.对舒曼《A小调钢琴协奏曲》中体现出的舒曼性格中的两个侧面进行剖析,从而更清晰、更完整地了解舒曼的内心世界。 通过对《A小调钢琴协奏曲》的分析与研究,不仅能够使我们加深对这首作品的理解,而且可以使我们感触到舒曼的音乐创作特征及其始终坚持的音乐创作信念。更多还原

【Abstract】 Robert Schumann is one of Germany’s most remarkable romantic musicians in the first half of the 19th century. His creation of music works and the comment on the music in all one’s life deeply reflect the romantic color of the German music at that time. He has already kept traditional ideas guiding artistic or literary creation in the creation of the music works, and is breaking through and innovating constantly on its basis, making him form his own unique style of the artistic language of music progressively. A Ditty Piano Concerto finished in 1845 makes Schumann reach his peak in his music creation and stepping into brilliance. The present thesis analyzes Schumann’s A Ditty Piano Concerto.First, introducing the background of the creation of Schumann’s A Ditty Piano Concerto.Second, making an analysis on Schumann’s A Ditty Piano Concerto from his creative ideology of single theme embodied in three movements and special creative tactics employed in its composition, including harmony, counterpoint, melody , rhythm. This is a key part of a thesis.Third, probing into two sides of Schumann’s personality embodied in Schumann A Ditty Piano Concerto, thereby understanding the true side of Schumann’s mind more clearly.Through the analysis and study on A Ditty Piano Concerto can make us not only strengthen the understanding of this works, but also make us feel Schumann’s creative characteristics and unchangeable belief in his creation of music works.更多还原