【作者】 谢春；

【导师】 格桑益希；

【作者基本信息】 四川大学 ， 美术学， 2004， 硕士

【摘要】 媒材和制作，是民间美术研究的重要因素。综观木版年画制作形式的演变，自清代，套色印刷便成为全国各地制作年画的主要形式。唯位于西南地区的四川绵竹木版年画却至今保留着先印墨线稿再手工彩绘的传统制作方式，形成了浓郁的地域特色。 媒材和制作形式是绵竹木版年画地域性的体现，它与地理、历史、民俗、审美、传承方式等方面有关。绵竹木版年画媒材主要包括纸、颜料、木版、笔等，并根据需要自制或改制。媒材的获取往往“因地制宜”、“就地取材”，体现了自然属性与艺术手段的完美结合。就媒材的演变主要表现在以下两方面：媒材品种从单一到丰富：媒材的制作由繁复至简单。 绵竹木版年画与套色木版年画的制作在起稿、刻板和印墨线这三步基本一致，不同之处在于绵竹木版年画印完墨线以后便全凭手工彩绘；而套色木版年画完成印墨线后，还得按色块再刻版，最后套色印刷。由于媒材和制作手法各异，导致了不同的造型风格。 绵竹木版年画独特而娴熟的技艺是以画诀、言传身教、物传和心传的方式传承的，家庭和行会成为技艺传播的主要环境。正是在这种较为封闭的传承方式影响下，更加深了绵竹木版年画制作程式化的特点。更多还原

【Abstract】 New -Year Painting is an important ingredient in the research of folk* art. Four famous New Year Painting were formed in Ming Dynasty, and have their own special art style because of the differece of material and process. Among them , only MianZhu New Year Painting were not influnced by external world, which evolved and keep this kind of tradional process: paint by painter . So, this thesis focus on material and process and relation to special art style. There are three parts in the thesis.Every one must know outline and concept of object in order to master one objective of a research project. So in the first part , we will introduce concept, oriqin and development of New Year Painting. The second part is emphasis of this thesis. Material include paper, brush, colour and so on . Some material made by paiter. Process include four steps, which is different from others. The third part is the last part, which focus on the relation of material, process and special art style.In a word, material and process play an important role in MianZhu New- Year Painting, it is basical for resrech of New- Year Painting.更多还原