陈英雄电影艺术研究

【作者】 崔军；

【导师】 华明； 谢柏梁；

【作者基本信息】 南京师范大学 ， 电影学， 2004， 硕士

【摘要】 陈英雄使东方传统艺术精神在电影这一最现代的艺术形式中得到张扬。陈英雄站在跨越东西方文化的人文高度，从世界艺术电影吸取营养，对东方传统艺术精神在电影中的融合作出了重大贡献，终于探索出富有现代意味的东方哲思电影的形式与风格，文化心理的本土性与理性身份的异国性决定了陈英雄在面对越南时的独特切入角度、观察视点及对于文化理解的超越性与本土情结的混杂性，同时也使它们作品中的文化属性和历史积淀要大大多于单一民族性的表述和极端地域色彩的彰显，从而获得了一种文化自由的隐性空间，具有更大的文化兼容性和世界性，可以有力摆脱文化自卫或者自我封闭式的纯粹的陷入“他者”化陈述的叙事危机。从《青木瓜的滋味》的内敛与幽雅，到《三轮车夫》的锋利凛冽，再到《夏天的滋味》的对于东西文化的全新关注与开掘，陈英雄完成了自我刻写的三个层次，从回顾中的圆满之下隐藏的焦虑、感伤，到面对现实时由触目惊心所带来的残酷的诗意和痛苦的清醒，最后回归于自悟在现实之间游弋、将注意力升华提炼之后的文化自觉与心理自立。本文力图从陈英雄的电影文本出发，采用理论和实际并重的方法，以后殖民理论、形象学和新历史主义理论为指导，把这些理论作为分析陈英雄电影文本和文化内涵的基石和依据，再联系越南民族文化传统和世界电影发展的大环境，把陈英雄的电影创作视为一个能动的双向的具有种种阐发可能性和实践指导意义的系统过程，把陈英雄电影文本的读解放在一个更为广阔也更为合理的领域内，同时将陈英雄“文化身份”的探讨和其电影文本的全面解读结合起来，按照背景电影文本在“后殖民”语境下的多层次解读、电影思维及电影语言以及“文化身份”的构建来全方位审视陈英雄的电影创作，从而使它在第三世界电影研究、世界电影文化的认知和民族心理的探询方面的价值得以显现。更多还原

【Abstract】 Anh Hung Tran makes the oriental traditional art spirit publicized in film that is the most modern art form. He stands at the humane height which crosses the oriental culture and the west culture, and he obtains nutrition from world art film, then he could make great contributions to the fusion of oriental traditional art spirit and modern film, at last he explores the form and style of oriental philosophic and ideological films full of modem meanings. This article strives to proceed from his film texts, using the way laying equal stress on theory and practice, according to the theory of post-colonialism, mageology and new-historicalism, and regards these theories as basis and foundation so as to analyze his film texts and cultural intension, connecting with the macroscopic circumstances of the development of world films and Vietnamese national cultural tradition , condisering his film creation as an active and two-way systematic process possessing much elucidating possibilities and practical guiding significance, analyzing his film texts in a more wide and reasonable field, combing the inquiry into his "cultural identity" with the comprehensive analysis about his film texts, according to the multiple-level analysis on film texts in "post-colonial" surroundings ,film thoughts, film language and the construction of "cultural identity" in order to deliberate his film creation ail-roundly, thereby makes the price emerge coming from observing "third-world" films, probing world film culture and inquiring into national mentality.更多还原