【作者】 林莉；

【导师】 费勇；

【作者基本信息】 暨南大学 ， 文艺学， 2004， 硕士

【摘要】 读图时代的大背景下，文字和图像对眼球的争夺从来没有象今天般呈白热化景象。本文从电视的媒介身份对电视剧的叙事特质进行探讨。通过对电视剧在中国的历史发展和电视剧的叙事环境的理论研究和文本分析，指出电视剧是电视创造出来的新文本，作为客厅里的图像叙事是电视表达文学性的一种手段，它具有属于自身的叙事特质和叙事策略。 随着中国电视剧的叙事策略日渐成熟，它将形成自觉的文体观念。因此以电视剧为代表的电视图像叙事在未来中国将取得更加迅猛的发展，中国电视剧的叙事题材将进一步扩大，电视剧叙事逻辑的自主性将进一步加强，视觉文化自身将会产生较大的变化，进而影响中国社会叙事格局与社会文化。更多还原

【Abstract】 Under the background of the picture-reading time, it has never shown the more white-hot prospect than today of the fight for eyeball between the character and the picture. This essay analyses the impact and influence of Chinese television dramas on today’s narratives. As the new text created from the television, television drama is one of the ways on which television shows the nature of literature, so it has the narrative tactics of its own.Along with narrative tactics of Chinese television drama gradually matures, it will become the self-conscious literary style idea. Therefore represented by the television drama, television-narrative will develop in future China more fast and fierce. And the topics of television drama narrative will further widen. Sense of vision culture will produce the bigger variety, and affect the narrative structure and social culture of China society.更多还原