审美对象的现象学阐释

【作者】 李乖宁；

【导师】 段建军；

【作者基本信息】 西北大学 ， 文艺学， 2004， 硕士

【摘要】 在传统美学和现代美学中，无论是对美的本质的探讨还是对审美经验的探讨都离不开审美对象，所以我们有理由认为审美对象在整个美学领域中处于一种核心的位置。我们面临的问题是在传统与现代的夹缝中运用哪种方法对审美对象进行分析才更接近它的本质。 现象学美学是二十世纪西方最具影响力的美学思潮之一，审美对象是以杜夫海纳为代表的现象学美学家所关注的焦点。本文认为，现象学的方法更适宜于研究审美对象，它既摒弃了传统美学中的自然主义因素，又跳出了现代美学中的一些误区，对我们今天的研究有着巨大的启示意义。 作为一种哲学流派，现象学为美学研究提供了独特的哲学基础与方法论。“面对实事本身”召唤着审美对象的现身，意向性理论将审美对象规定为一种价值性、关系性的存在，生活世界是实现了审美还原的原初本真的审美世界，是审美对象的情感之源。本文运用现象学的方法，结合杜夫海纳的审美对象理论，对审美对象的现象学内涵、存在方式、深度模式等进行了分析，认为它是一种在审美体验中层层呈现的主体性存在，审美对象的意义就在其特有的深度结构与审美主体的审美体验的双向互动中无限生成。现象学美学的审美对象理论关注的是人与自然、人与世界以及人与人之间在生活世界中的活生生的经验关系，因而，它更具活力和人文气息。在此基础上，我们对审美现代性中的审美对象进行现象学的反思具有重要的现实意义。更多还原

【Abstract】 In the traditional and modern aesthetics, it is impossible to verify the essence of aesthetics and aesthetic experience without the aesthetic object. So we think the aesthetic object is the core of aesthetics. The problem confronting us is which method can be used for interpreting aesthetic object so that it is closer to the essence of aesthetic object than others.Phenomenological aesthetics is one of the most influential trends of aesthetics thought in the West in the twentieth century. The aesthetic object is the focal point that attracted many Phenomenological aesthetes. Especially, Mikel Dufrenne’s theory represents the most systematic and overall view. This thesis shows the method of phenomenology is more suitable to study aesthetic object. It not only made us discards the naturalism in traditional aesthetics, but also help us get out of some mistake area in modern aesthetics. So it enlightened us greatly.As a trend of philosophy, Phenomenology provided unique basis and method for Phenomenological aesthetics. "Zur sache selbst "summoned the appearance of aesthetic object .The theory of intentionality indicated that aesthetic object is neither real object nor ideational one. It is intentional object and has a value and relationship’s existence. The "life-world" is the vivid aesthetic world that was realized by aesthetic reduction. This thesis analyses the internal meaning of aesthetic object and the mode of existence and depth by the method of Phenomenology and Dufrenne’s theory about aesthetic object. Mutual subjectivity analysis of phenomenology opened a new sphere for aesthetics. In the process of mutual experience, the significance world was formed limitlessly. In the horizon of Phenomenological aesthetics, the lively experience relationship between man and nature and world and itself in life-world is to berevealed. As a result, it has more vigour and rich flavor in human life. This thesis is based on it. We considered that the aesthetic object of Phenomenological aesthetics saved the one of Aesthetic modernity. There is distinctive reality significance to interpret aesthetic object by the method of Phenomenology.更多还原