【作者】 黄乃江；

【导师】 姚春树；

【作者基本信息】 福建师范大学 ， 中国现当代文学， 2004， 硕士

【摘要】 “现代评论”派是中国20世纪20年代以欧美派自由主义知识分子为主体的复杂的、多层次的政治文化流派，是中国现代自由主义思潮流派的源头。本文拟按恩格斯关于“美学观点和历史观点”相一致的批评方法和评价标准，对“现代评论”派作出重新审视，力图比较准确地把握“现代评论”派对中国文化建设的独特理解、历史贡献及其现实意义。 从历史观点看，“现代评论”派是支持中国的现代化和中华民族的伟大复兴这一历史潮流，而不是逆历史潮流而动的，但由于自由主义知识分子自身的矛盾性、妥协性和复杂性，他们同新旧军阀既有联系又有区别，既有矛盾斗争又有妥协联合，表现出极端的复杂性。一般说，在政治上，他们消极的、否定的东西多一些，特别是在国共两党对立尖锐，群众革命运动蓬勃高涨时刻尤其如此，但也不能将他们等同于北洋军阀、国民党当权人物和买办资产阶级；在中国文化的破旧立新、新文化启蒙与建设上，积极性、肯定性的东西就会多一些，当然与鲁迅等新文化运动的开拓者和奠基人相比，他们的坚决性和彻底性又要差得多。 从美学观点看，“现代评论”派主要接受了欧洲文艺复兴以来自由主义文艺思潮的影响，他们关心新文学的成长，积极致力于新文艺思想及理论的引进和建设，主张文艺独立，倡导多元兼容，追求“射他耳(Satire)的文体倾向”，“以其广博的理论视野”揭开了中国自由主义文艺思潮的序幕，为20世纪20年代的中国知识分子创建了一个“公共论坛”；他们非常重视新进作家的培植，在短短四年内发现和培养了沈从文、凌叔华、胡也频等一大批具有独特艺术风格并取得相当成就的作家；并且“在中国的新文坛里添了几篇极有价值的创作和批评”，为包括杂文、散文、新诗、新小说、话剧在内的新文学各文体的创立作出了重要的贡献，其中徐志摩对新诗的贡献，沈从文对中国现代小说的贡献，丁西林对中国现代喜剧的贡献，在中国现代文学史上都是第一流的。更多还原

【Abstract】 The Faction of "Modern Comments" is a complex political and cultural school, which is mainly made up of European and American liberalistic intelligentsia in 1920s in China.Moreover it’s also the fountain of Chinese modern liberalism school. This article will make a new examination to the Faction of "Modern Comments" on the basis of critical idea and evalual standard which ask"the historical idea should match the aesthetic idea". Then this article may correctly master the unique understanding to Chinese cultural construction,historic contribution and the realistic significance benefiting from the Faction of "Modern Comments".On the point of history, the faction of "Modern Comments" suspended but not against the tidal current of Chinese modernization and the great renaissance of the Chinese nation.However, because of the intelligentsia’s inconsistency, compromising and complexity, they had both connection and difference with neo-warlord and old-warlord, had both conflict and compromising unity, showing the extreme complexity. Generally speaking, they had more negativity in the politics, especially when the two Parties of Kuomintang and the Communist Party of China were opposite sharply and the revolutions of people were highly processing.But we can’t equate them with the Northern War-lord, Kuomintang, or comprador bourgeoisie; the faction of "Modern Comments" had more positivity in the rebuilding of Chinese culture and the enlightenment of new culture. Surely, their determination and entirety were much less comparing with LuXun, who was the trailblazer and founder of new culture movement.On the point of esthetic, the faction of "Modern Comments" mainly accepted the thoughts of liberalism after the Renaissance of Europe. They concerned the growth of new literature, dedicated to the importing and building of new literature thought and theory, claimed the independency of literature, sparkpluged the multi-culture, pursued the satire tendency of literary style. They opened the prelude of the tide of Chinese liberalism literature "by the wide theory", made a "forum" for the intelligentsia in 1920s. They attached importance to the implantation of new authors. In the short time of four years, they found and cultivated a large numbers of authors like Shen Congwen, Ling Shuhua, Hu Yeping, who had particularstyle and great achievement in literature. They "added some very valuable writings and comments for the new literary circles of China", and made significant contribution to the foundation of all kinds of new literature style, including essay, prose, new poem, new fiction, drama and so on.Among them, Xu Zhimo’s contribution for new poem, Shen Congwen’s contribution to modem fiction and Ding Xiling’s contribution to modem comedy were top-ranking in the history of modem literature of China.更多还原