论徐訏小说的神性追寻

【作者】 马娟娟；

【导师】 陈旋波；

【作者基本信息】 华侨大学 ， 中国现当代文学， 2004， 硕士

【摘要】 在中国现代文学史上，徐訏曾一度与无名氏一起被称作“后期浪漫派”。作为与张爱玲同时代的作家，徐訏也逐渐被学界广泛关注和研究，但论者多集中在对徐訏小说通俗性的文本分析上而没有做更深入的整体性探讨。本论文试图指出通俗性只是徐訏小说的文本策略，对神性的追寻才是徐訏始终贯穿其写作生命的超越性目的和终极意义所在。 本论文主要分三个部分，由浅至深地呈现了徐訏小说的神性追寻历程。第一章：通过影响研究的方法，总结出徐訏异于同时代作家的神秘主义美学观，并结合作品分析徐訏的神秘主义叙事。在康德、柏格森和弗洛伊德、荣格思想的基础上，徐訏创造性地形成了自己独特的神秘主义美学观。在小说中，他试图以鬼魅和梦幻的神秘叙事创造一个诗性世界，发掘那种充满生命本体的神秘，以直觉的领悟和原型的追寻来把握生命存在和宇宙无限的终极奥秘，从而获得自我生命的超越，神秘主义成了作者生命个体走向宇宙终极的媒介。第二章：以神话学和原型批评的方法来论述徐訏小说中爱情的神性意义。徐訏试图通过“神话”和“类神话”的构拟，把神与主体性意志在一种极端夸张而又合理的想象中展示，借爱情神话进行艺术的诗性传达，以期达成一种深邃而神秘的本体式理解。爱情神话也折射出徐訏对人世梦想和精神的“深层祈愿”，而这“深层祈愿”则寄托在男性所追寻具有神性气质的女性身上，最后爱情通过死亡走向了神性的彼岸。第三章：从宗教与文学的同源性关系来论述徐訏如何以文学形式来表达自己的终极关怀和新的宗教信仰。在对基督教的颠覆和对佛教与道教的融合中，徐訏通过文学想象建立了一个新的信仰——“宇宙和谐”，即神是宇宙终极的整个的谐和。 在一个贫乏的时代里，徐訏是一个追求隐去之神的行吟者，他的神秘主义诗学和对生命终极的神性追寻，都极大地丰富了中国现代文学的思想内涵，在中国文学史上有着独特的意义。更多还原

【Abstract】 In the modern literature history of Chinese , Xuxu and Wu Mingshi were once called together with the Late Romantic. As a famous writer as Zhang Ailing, he was also criticized widely. But people have paid more attention to the popular character of his novels. So through my thesis, I want to point out that the divinity is Xuxu’s real motive to write, not popular character.This thesis is composing of three parts, which shows gradually the progress Xuxu’s pursue to the divinity. Chapter 1 is talking about Xuxu’s mysticism esthetics and his mysterious narrative in the influencing ways. On the base of the thinking from Kant, Bergson, Freud and Jung, Xuxu formed his own special mysticism esthetics. In his novels, he tried to create a poetry world to find the miracles of the life, and hold the infinity of the nature and life with intuition and archetypal theory to transcend his own life. Further more, his narrative about mystery and illusion added the blank space of Chinese mysterious literature in the 1930s to 1960s. Chapter 2 is trying to appraise the meaning of Xuxu’s love myth in the ways of mythology and archetype theory. Through the myth, Xuxu attended to represent the God and ultimate poetically. Love myth reflected Xuxu’s deep desire about the land of the living and spirit, which were placed on the Anima archetype who the male thirst for. Death make love reach the ultimate of the life lastly. Chapter 3 is discussing the how Xuxu express his solicitude about life and religion in his novels. He overthrew Christianism and introjected Buddhism and Taoism, consequently he established his new belief, which is the nature should be harmonious.更多还原