【作者】 潘桂林；

【导师】 赵炎秋；

【作者基本信息】 湖南师范大学 ， 文艺学， 2004， 硕士

【摘要】 文学是作者与社会对话的一种方式，而社会是由无数的具体个体，即读者构成。读者意识或隐或显地存在于作者的创作意识之中，是调节小说创作旨趣、品味、内容和话语方式的重要杠杆。晚近作家身处传统与现代、本土与世界的交接点，读者意识呈现出不同以往的时代特征，具体表现在：创作目的的摇摆性、读者阅读期待的复杂性，读者地位置放的矛盾性。而且，晚近文学的启蒙目标使小说创作必须面对下层读者有限的接受水平，“报章小说”时断时续的接受情境使作家必须考虑到读者的阅读感受。这些因素的存在，对晚近长篇小说发展中的重要现象，如雅俗流变、文体革新、叙事变革、假托译著，和诸多的艺术缺陷，如叙事技巧的粗糙生硬、叙事结构的模式化和叙事声音的浮露单调，以及叙事风格趋向于直陈和谴责，都有不可忽视的作用。晚近小说雅俗观念的变迁、雅俗流变的复杂性，集锦式结构的兴盛、发展和珠花式结构的新变，叙事表达方式直陈加强而反讽弱化甚至消失的总体趋势，有复杂的社会文化因素。但从交流的角度看，作家读者意识的强化、转型，读者群体、读者心理的改变，阅读情境的变化，都是这些具体文学现象形成的重要原因。读者意识作为作家创作意识的内在构成，对晚近小说的影响是全方位的，因此，此课题还具有广阔的延展空间。更多还原

【Abstract】 Literature is a way of the writer to converse with the society, and the society is full of many concrete individuals - readers. Writer’s sense of reader inevitably exists in the intention of a novel composer and it plays a vital role like a lever to regulate the purpose, taste, contents, and verbal ways of any novels. Being sandwiched between ancient and modern, native and abroad, writer’s sense of reader from 1898 to 1916 appears different features of the sway in the target of creation, the complexity of reader’s waiting range, the contradictory of location by the writer on reader. Furthermore, writer must consider the receptive ability of those readers of poor acknowledge, because he has regarded enlightenment in the whole nation as the target of novel creation at that time. At the same time, writer must concern reader’s reading feeling in the intermittently reading condition resulting from newspaper novel. All these have influenced radically on those important literature phenomena at that time, such as the change between elegance and vulgarity, the innovation of creation mode and narration, the deliberate lying of some native texts coming from abroad. Furthermore, they have influenced on some creation false, such as the crudity in narrative techniques, the tendency on narrative structure, the shallow and simple on narrative voice, and the tendency to directive and condemn in expression as well.Certainly, follow questions, mean the fluctuation of the idea and the complexity of the change between elegance and vulgarity, the prosperity and variation of collection type, theinnovation of the pearl flower type in narrative structure, the harden in directive and condemn, while the lessen or so far as to disappear in irony in narrative expression mode, have been influenced by many social and culture facts. But from the range on communication, the harden and change in writer’s sense of reader, the change of the receptive school in writer’s idea and of reader’s consciousness, and in the concrete conceptive condition as well, are all very important reasons on above. As one of the essential facts of writer’s creative intention, the sense of reader has influenced on Chinese novel in that time in all facts. So, this project has a very wide expanding space for me to research.更多还原