【作者】 陈宇家；

【导师】 田中阳；

【作者基本信息】 湖南师范大学 ， 中国现当代文学， 2004， 硕士

【摘要】 新时期以来，中国文学和整个中国社会一起承受着社会变革带来的种种酸甜苦辣，作为新时期文学的重要组成部分，女性作家以自己的创作实绩作出了应有的贡献。考察这一时段的女性作家创作，我们可以梳理出“介入”和“背离”这两个主要倾向。在这两种看似截然相反的创作倾向中，既反映出女性作家创作思想和风格的差异，也显现出传统与现实对女性作家的影响。在介入型女性作家创作中，对社会人生表现出热切关注。不论是批判还是赞同，都和现实政治有着或多或少的联系，缺少女性自身特色，女性性别特征不论内容还是形式都没有得到鲜明表现。在背离型女性作家创作中，女性性别特征有了较充分的体现，作品开始逐步疏离传统的叙述视角和叙事方式，从思想内蕴到艺术形态两个方面都力图摆脱男性中心的束缚，尽管有着种种不尽如人意处，但取得的成绩有目共睹。本文分为三大部分： 第一部分导言简单回顾了中国现代女性作家创作的渊源以及发展过程，从源头上梳理了介入与背离这两种女性作家创作倾向大致的脉络。通过这种追溯，为新时期女性作家创作的两种倾向的划分找到一个历史参照。 第二部分将介入型的女性作家创作分成了两大部分进行探讨，分别是：与时代同行；寻找两性的坐标。这样的分类主要体现了介入型女性作家创作在反映社会和反映人这个方面具体的表现，在对作品加以分析的同时也联系了具体的社会背景，从而更加突出这一类女性作家创作的“介入”特质。 第三部分主要探讨背离型女性作家创作，强调背离型女性作家创作主要表现在对传统的男性中心文化的“背叛”以及女性意识的构建。主要从两个方面展开论述：另一种观照方式；营造女性的小屋。不但分析了背离型女性作家创作的相通之处，也强调区别所在，展现了同为背离的不同之处。 通过对介入与背离的分析，本文对新时期女性作家创作在两个向度上加以梳理，从而达到了对新时期女性作家创作整体概貌进行宏观把握的目的。作为两种创作倾向，介入和背离只是理论上作出的划分，论文没有企图作出孰是孰非的评价，这两种创作倾向在更多的时候是相互交汇、相互补充的，这种交汇与互补正是女性创作得以不断前进的重要动力。更多还原

【Abstract】 Since the new period, both Chinese society have undergone various sufferings from the changes and innovations. As an important constituent of Chinese literature in new period, we can see two major trends: "participating" and "deviating". These two seemingly conflicting trends reflect the differences in creation ideas and styles among female writers. Meanwhile, they represent the influence of reality and tradition on female. For the participating writers, they put stress on the concern of society and human life, whose criticism and agreement are more or less connected with politics. But what they lack is the characteristics of female own, which have not been fully displayed in contents or in forms. As for the "deviating" female writers, the situation is opposite. The literary works have begun to deviate form the traditional narrative view and pattern, and get free from the male-centered convention. Despite some defects and demerits, they have made remarkable achievements. To be specific, this dissertation consists of three parts:Part One: the beginning part makes a brief review of the development and history of the literary creation of Chinese modern female writers. It comes up with two major trends ?"participating" and "deviating". Through this retrospective analysis, it provides the background history for the separation of these two trends.Part Two: it analyzes the "participating" writers by dividing it into two sections. They are: coming up with the time; looking for the coordinate of both male and female. These two sections mainly show women’s specific contribution in reflecting society and human being in their creation and also accompany the analysis with social background. Therefore, they can highlight the "participating" characteristics of this group of female writers.Part Three: it mainly discusses the "deviating" writers. It emphasizes theirdeviation from male-centered culture and the construction of female consciousness from two aspects: another viewing means; building up the room for women. It not only shows something in common among "deviating" female writers, but also stresses on their differences.Through the analysis of the two trends, this dissertation makes a clear outline of female creation in new period, thus to achieve the purpose of getting a macro understanding and view. These two trends are based on theoretical division, and this paper does intend to make any judgment on which one is correct or wrong. They are combined with each other and supplementary to each other, which forms the important motivation for the female creation to develop forward continuously.更多还原