【作者】 孙书杰；

【导师】 王占福；

【作者基本信息】 河北大学 ， 汉语言文字学， 2003， 硕士

【摘要】 论文以古汉语语音诸要素在古典诗词中的修辞功能为研究对象，根据“声象乎意”和修辞必须适应题旨情境，形式与内容相统一的理论原则，对语音修辞尤其是语音的艺术修辞功能进行了系统的探索和分析。论文从声、韵、调、音节四个方面论述了它们与古典诗词的声韵之美和达意传情之间的关系。声纽与诗词音乐美的关系主要体现在双声、叠韵及叠音的运用上。五音之中，不同音质的声纽，自能表现不同的情感。韵在诗词中的音乐美主要体现在押韵上；韵在音节中的音响特别突出，对情绪的影响最大，洪音、细音、阴声韵、阳声韵、人声韵各有适于自己表现的内容；韵脚的疏密及换韵，对引导情绪的起伏具有显著的效能。平上去入四声有平仄之分，抑扬之别，平仄的谐调关乎声调之美，抑扬的变化涉及情绪的动荡。古汉语的单音节性使语词的分合伸缩极富弹性，不仅能够使诗词产生抑扬中节、疾徐变化的节奏美，而且能运用不同的节奏形式表达不同的思想感情。此外，还分析了叠音、谐音、摹声等语音修辞格在古典诗词中的修辞功能。 总之，古汉语语音的修辞功能在古典诗词中具有突出的表现，它不仅仅局限于悦耳动听的音乐美，更体现于声与义的关系上，语音的巧妙运用会给作品创造一种以声传情、声情相切的艺术境界。更多还原

【Abstract】 Using ancient Chinese phonetics rhetoric function in ancient poetry as an object of study, the paper explores phonetics rhetoric, especially phonetics artistic rhetoric, according to the theory that sound is similar to meanings and principle that rhetoric must adapt itself to the subject of poem and that there is an unity of content and form. The paper expounds the relations between the phonetics and the feelings of poem from following four aspects. The pleasant sound of the initial in ancient poetry is reflected in the use of Shuangsheng Dieyun and Dieyin. Besides, different tones quality in Five sound can express different feelings. The pleasant sound of compound vowel is mainly reflected in the concordant of lasting appeal and different rhyme schemes have different contents that suit their expression. The scatter and dense of rhyme have obvious function in leading emotional rise and fall. Four tones of PingShangQuRu have the different of Pingze and Yiyang. They relate to the pleasant sounds and feelings expression. The quality that single - syllable occupy a dominant in ancient Chinese can not only make poet works engender pleasant rhythm, but also express different feelings and meanings in different rhythm forms. In addition, the paper analyses phonetics rhetoric form’s function in ancient poetry.In brief,ancient Chinese phonetics obvious rhetoric function in ancient poetry not only limit in the pleasant sound, but consider the relation between sounds and meanings in order to attain the ideal artistic state where sounds can convey feelings and where there is very concordant between sounds and feelings.更多还原