【作者】 王华；

【导师】 段七丁；

【作者基本信息】 四川大学 ， 美术学， 2003， 硕士

【摘要】 线作为一种表现手段，是艺术处理中表达感受最直接了当的语言。尤其在中国绘画的发展中，线占有重要的地位。中国画家凭着对线的高度热情和对于线技术的谙熟，将中国画中的线推至了神奇的境界。中国画中线的语言从产生到今天，已经被世代画家注入了当时的技术和思想。无论从技法到理论都到了一个完美的境界。今天的我们该怎样看待中国绘画中线的处理，怎样看待线的独立性，怎样看待中国画这一完整体系，正是摆在我们面前的继承与创造这一主题。 全文共分五个部分。 引言：中国画线问题的提出 第一章：“骨法用笔”是对中国绘画传统理论的总结，并确定了线条在绘画中所具有的美学意义。 第二章：中国绘画中线条的哲学意义。中国哲学的思想和精神指导促成了线条在中国画中的地位。 第三章：中国画线性艺术的完善与发展 1．气韵生动是线条生命力的体现。 2．以书入画使中国画线条更具有美感。 第四章：现代中国绘画中线的地位。针对中国画以线造型的历史与现状，结合已有的线的创新成就，提出中国画线艺术发展的可能方向。更多还原

【Abstract】 Line, as one of the major methods of expression, is the straightest way to express sentiment in artistic creation, and plays a very important role in the development of Chinese drawing. There, we can find the forms of line are vivid and romantic and have created colorful world in art after combined with fitting colors. During the beginning of line in Chinese drawing, it has been brought profuse technique and intelligence by generational painters and has formed a characteristic complete system in technique and theory. Today, how we deal with line in artistic creation and view its performance is an important issue that we have to face.This paper is divided into five parts.Introduction: Raising the question of line in Chinese drawing.Chapter I: The aesthetic paraphrase of line that has been pointed out by Gufayongbi.Chapter II: The meaning of line viewed from philosophy in Chinese drawing. The thinking and spirit of Chinese philosophy caused the status of line in Chinese drawing.Chapter III: Aesthetic remark to line in Chinese drawing1. Qiyunshengdong(vivid) is a embodiment of line’s power.2. Drawing in the form of calligraphy makes the art of line obtain morespace in Chinese drawing.Chapter IV: The status of line in Chinese drawing. On the base of studying the history and present situation of using line express bodies inChinese drawing, combining with existing innovational achievement, we bring forward the possible direction of the development of the art of line in Chinese drawing.更多还原