【作者】 罗新星；

【导师】 汤晨光；

【作者基本信息】 湖南师范大学 ， 中国现当代文学， 2003， 硕士

【摘要】 家族小说是20世纪中国文学中最具涵盖力和表现力的题材类型之一。而新时期家族小说创作，无论是在对人的关注以及关注中所注入的文化历史感方面，还是在叙事方法与技巧上都达到了一个新的高度。值得注意的是：新时期家族小说作者对于家族的个人见解和叙述姿态虽然不同，但他们笔下的家族命运却殊途同归走向了颓败、没落和消亡，有些作家甚至在极力消解它的存在。可与此同时，大多作家却又隐藏不了对于家族的热爱与希望，并且在情感上都把家族当作了认同和皈依的对象。掩盖在新时期家族小说不同形式后面的是一种内心感情的深刻矛盾，即这个时期的作家，一方面能意识到家族结构的弊端及解体的必然，一方面又无法从容洒脱地抨击和告别。这种感情矛盾纠缠在一起而形成一种家族情结。这种家族情结也是本文研究得以展开的基础。本文共分三个部分： 第一部分简略介绍家族小说在20世纪中国文学书写中的流变过程，由此比较新时期家族小说与以往家族小说的不同点，并引出新时期家族小说创作中难以割舍的家族情结。 第二部分将新时期家族小说划分为三种类型加以论述，这三种类型分别是：社会历史的家族演绎、个体生存的家族文本、女性命运的家族书写，在分析这三种类型的家族小说时，将具体阐释不同类型的家族小说对家族文化的描述与消解，并分析它们怎样殊途同归地走入难以割舍的家族情结中。 第三部分重点考察家族情结产生及难以割舍的原因，并揭示家族情结存在的意义。本文认为产生家族情结的原因主要有两个：一是源于中国传统文化渊源与心理基因，二是对家族的寻找实际是对心灵家园的寻求。当家族情结流淌在文本中的时候，它也使得家族作为传统的一部分参与了本土理性的重建，并成为抗衡西方文化压力、确立自身文化价值的一种方式，这也是家族情结存在的意义。 文章最后认为：家族情结的存在表明了一种文化建构和审美批判的立场，在今后小说的家族主题和作家对“家”的关注中，都应该更着力地去表现人类向前进步的精神历程。更多还原

【Abstract】 Family novel was one of the most inclusive Chinese literary works with the strongest expressive force in the. 20th century. The family novel in the new time comes up to a new high level no matter in the concern towards human beings as well as the sense of culture and history injected or in the narrative arts and techniques. It is noticeable that families in the novels share the same decadent, declining and dying end, although the fictionists : differ with each other as to the personal viewpoints and narrative postures on the fain 11 v. Rut at the same time, most of the fictionists can’ t hide their love and hope towards the family, and emotionally the family has become what they identify with and convert to. There is a profound contradiction concealed in the different family novel styles in the new time. That is to say, on the one hand, the fictionists in this time can realize the weakness of the family structure as well as the necessity of its disintegration; on the other hand, they can not attack and bid farewell to it freely and easily. This emotional contradiction is interweaved together to form a family emotional knot, which is the base of how this paper can go on.The thesis is composed the following three parts:Part One briefly introduces the family novel’ s changing course in the 20th century, from which a comparison is done between it and the previous novels and it leads to the indivisible family emotional knot in the family novels in the new time.Part Two discusses the three types of family novels. They are novels about social history, novels about individual existence and novels about feminine destiny, when analyzing those three, types, the thesis explains detailedly the narrations about the family cultures in different types and howthey come to the same indivisible family emotional knot.Part Three lays the emphasis on how and why the indivisible family emotional knot comes into being and unfolds the significance of its existence. There are two reasons form this kind of emotional knot. Firstly, it originated from Chinese traditional culture and psychology. Secondly, the search for the family is the search for the spiritual home. The family emotional knot enables the family to participate in the restoration of the native ideology as a part of tradition and to become the manner against the pressure from western culture and establishing its own cultural value. That is where the s i gn i ficance 1 i es.Finally the thesis considers that the existence of the family emotional knot indicates the standpoint of cultural structure and aesthetic criticism. The progressive spirit of human beings should be depicted more strongly in the future novels with the theme of family and the concern to the family showed by the fictionists.更多还原