【作者】 刘堂春；

【导师】 赖力行；

【作者基本信息】 湖南师范大学 ， 文艺学， 2003， 硕士

【摘要】 金圣叹初步建立起了我国古代的叙事理论体系，这个体系较多地传递了现代性的信息。本文试图用现代西方的叙事学理论重新观照金圣叹的小说评点，找出其中的共通与差异，评价金圣叹对构建中国叙事理论的贡献。 本文分五大部分 引言简要概括了关于金圣叹小说批评的已有研究成果，提出本文的写作特色和思路。 正文部分共三章。第一章分析金圣叹的叙事视角论。第一节探讨金圣叹对叙述者视角与人物视角的辨识；既见一定深度，又有一定模糊。第二节分析金圣叹对人物视角功用的看法。包括叙事简约含蓄，创造戏剧效果，刻画人物性格。略论金圣叹对一些特殊视角的认识。 第二章阐述金圣叹的叙事节奏论。第一节从情调论节奏，着眼于“忙闲”“刚柔”等情调对立中阐发金圣叹的节奏观念。第二节从气势论节奏，偏重于从“顿”“跌”“反跌”“擒纵”与铺排诸方面讨论金圣叹的节奏理论。第三节从篇幅谈节奏，侧重于细笔与省文，大文与小文等文字长短交错中研究金圣叹的节奏思想，并与西方通过场景与概括交替创造节奏的叙事理论进行对比。 第三章谈论金圣叹的叙述声音观。第一节论述金圣叹对叙述者公开介入适度性的认识。第二节分析金圣叹对隐含的叙述声音掘地三尺的寻索。 结语综括全文，总结金圣叹在中国文学说批评史上的价值和影响。更多还原

【Abstract】 Jin Shengtan initially set up the system of narrative theory of ancient China .The theory mostly passed the modern information . In this dissertation the writer tries to study Jin Shengtan’s .novel comments with modern western narratology, to find out the commonplaces and differences, to comment Jin Shengtan’ s contribution for the construction for narrative theory of ancient China.There are five parts in it.The preface briefly summarizes the research achievements obtained about Jin Shengtan’ s novel criticism and bring forward the writing characteristics and the brain of thought in the dissertation.The text includes three chapters. Chapter 1 analyses Jin hengtan’ s theory of perspective. Section 1 inquires into Jin Shengtan’ s discrimination between the perspective of narrators and the perspective of characters. It has some depth, but also has some obscurity. Section 2 analyses Jin Shegntan’ s viewpoints on the use of character’ s perspective, including the brief and the veiled of narrative, creating dramatic effects, depicting the figure’ s characteristic, briefly discusses Jin Shengtan’ s opinions on some special perspective.Chapter 2 expounds Jin’ s narrative rhythm theory . Section 1 discusses rhythm through interest , and expounds Jin’ s rhythm opinion by emphasizing the interest conflict between "Mangxian" and "Gangrou" Section 2 discusses rhythm through momentum, anddiscusses Jin’ s rhythm theory by laying particular stress on the aspects like "Dun" " Die " " Fandie" "Qinzong" and "Pupai" etc. Section 3 discusses rhythm by the length , lays particular emphasis on the alternation of long words and shorts words like the careful writings and emitted words, "Dawen" and "Xiaowen" etc , to research Jin* s rhythm thoughts and compares it with western narrative theory which creates rhythm by the replacement of scene and summary each other.Chapter 3 is about Jin’ s narrative voice. Section 1 expounds Jin’ s understanding on the moderate degree of the narrator’ s intervening. Section 2 analyses Jin’ s deeply seeking on implicit narrative voice.The ending summarizes the whole dissertation, and summarizes Jin’ s value and influence in novel criticism history of China.更多还原