【作者】 聂春华；

【导师】 於贤德；

【作者基本信息】 汕头大学 ， 文艺学， 2003， 硕士

【摘要】 先秦老庄哲学的一些基本思想观念如道、气、神、心斋、坐忘等在魏晋南北朝艺术领域造成的回响始终不绝于耳，但这些哲学概念并非一成不变地进入艺术领域的。魏晋南北朝的艺术理论主要在两方面对老庄哲学进行了扬弃：一是建立了以情为本的艺术观，摈弃了老庄的禁欲思想；二是提倡自由活泼的个性精神，对老庄的养神、虚静理论进行有目的的改造。这两方面的扬弃实际上为中国古代艺术奠定了以情感(心理)本体为基础，以道家学说为特色的创造、欣赏理论。从这个意义上看，沿着老庄走向艺术的脉络，或许会对中国古代艺术理论的形成与旨趣有更深的了解。更多还原

【Abstract】 Some basic ideas of Lao-tzu and Chuang-tzu’s philosophy such as Tao,Chi,Spirit,Xinzhai and Zuowang had a continuous resonance in Wei ,Jin and the Southern and Northern Dynasties’art. However, these philosophical concepts weren’t directly artistic ones.The sublation of Wei,Jin and the Southern and Northern Dynastics’art theory primarily comprised two aspects:one is to establish the main part of emotion of art viewpoint and give up Lao-tzu and Chuang-tzu’s asceticism;the other is to advocate free and lively spirit and rebuild Lao-tzu and Chuang-tzu’s theory of fostering spirit and maintaining void quietness. The sulation of these two aspects practically resulted in theories of aesthetic creation and appreciation which were based on "main part of emotion(mind)"and characterized Taoist theory.To this extent,along with the path which Lao-tzu and Chuang-tzu’s philosophy transferred into art theory we may attain deeply insight into ancient China’s art.更多还原