《淮南子》审美理想论

【作者】 方国武；

【导师】 顾祖钊；

【作者基本信息】 安徽大学 ， 文艺学， 2002， 硕士

【摘要】 《淮南子》历来在美学界评价不高。究其原因，主要是它到底有无独立、整一的审美理想观。本文着重论述《淮南子》“大浑为一”的审美理想观，力求给它以公正的评价。 第一章总论《淮南子》的思想体系特征，并进而论述其审美理想的基本内容。 第二章着重论述《淮南子》审美理想的观念化形态“大美之境”。包括“道”论、大美内涵、大美的最高境界三个部分。 第三章着重论述人格理想，它是对《淮南子》审美理想主体性的探讨。包括人格理想的范本即“圣人”，人格理想的实现途径以及人格理想的最高境界三部分。 第四章论述艺术理想，它是审美理想在艺术创造中的展现。包括关于艺术本质、艺术情感特征、艺术风格的论述。 第五章论述《淮南子》与中国审美文化传统的关系。着重从审美思维方式，人的自由以及人物范例三个方面谈《淮南子》对中国审美文化的影响。更多还原

【Abstract】 The reason that Huai NanZi had never been appreciated highly is whether it contained an unified aesthetic idea. The theme focues on reviewing Huan Nan Zi’s aesthetic idea characterized of "Da Hun Wei Yi ", and tries to set a justice and higher value on Huan Nan Zi.The Chapter I generalizes the attribute of HuanNanZi’s thought system, and come up with the elemental contents of aesthetic idea.The Chapter II stresses on reviewing the form of concept onaesthetic idea-"the Jing of Great Beauty", which covers threeparts, namely, The Theory of "Tao", the contents and the highest Jing of great beauty . The chapter III focuses on the human idea, which includes its example "Sheng Ren", its realizing ways and the highest Jing. The chapter IV discusses about the art’s idea, which consists of the art’s essence, the art’s emotion and the art’s styles.The last Chapter talks about the relation between Huan Nan Zi and the Chinese aesthetic civilization traditional including the aesthetic thought ways, the human freedom and the examples of people.更多还原