【作者】 张清祥；

【导师】 吴建波；

【作者基本信息】 华中师范大学 ， 中国现当代文学， 2002， 硕士

【摘要】 高长虹，作为二十年代活跃在中国文坛上的文学团体“狂飙社”的主将和“莽原社”的主要成员，作为“五四运动”之后，较早运用现代意识和现代技巧从事文学创作活动的一个进步诗人和作家，在我国新文化运动的历史上，是产生过较大影响和作过一定贡献的。 本文分三个部分： 第一章，生平与创作：趋向光明的漂泊与追求。把高长虹的人生与创作分太原时期、北京时期、上海日期、重庆时期和延安时期五个部分论述高长虹趋向光明的人生追求与文学创作。文章认为高长虹作为文化人、文学家，始终表现了对新文化运动、新文学运动的积极追随和参与，不是一时一地，而是贯穿一生的。这种追求，既是对“五四”精神的继承发扬，也是高长虹一生追求光明、追求真理、热爱祖国、热爱人民的具体体现。对高长虹来说，尽管这条路上充满了曲折与坎坷并时常伴随孤独苍凉的阵阵痛楚，但他一步步的跨越过来，却显得更加执着与强韧。这既是高长虹在人生道路上留下的真实足迹，也是他精神上在咀嚼体验孤独的同时，逐渐摆脱黑暗、走向光明的真实记录。 第二章，诗歌创作：精神创伤的置换与升华。虽然高长虹在人生的路上踽踽独行，但毕竟是趋向光明的精神追求，来自暗夜的诸种压抑尽管造成他精神上的巨大创伤，但他在“立刻”“行动”“哲学”的影响下，他将压抑转化为极大的精神力量。高长虹的诗歌既是他个人心灵创伤的真实记录，也是他反抗黑暗、追求光明的真实写照。一、咀嚼婚姻：情爱的创伤与“凝想”；二、面对家庭：痛苦的觉醒与反抗。三、走向社会：无情的揭露与反抗：四、理想之塔：美好未来的向往与追求。高长虹的诗歌创作既植根于对民族传统诗歌的汲取与涵化，又注重西方化现代派诗艺的借鉴与创造，诗歌艺术独具特色：一、情绪、八 硕士学位论又＼型而吧／hun工厂”S刀IE引S情感率真直露；二、联想、想象丰富奇特；三、寓意、象征深刻独特：四、梦境、幻想繁复离奇；五、诗体形式众体兼备。 第三章，高鲁冲突：对话困境中的裂痕与阻隔。文章认为高鲁冲突是因为在无法实现的对话困境中而引起的：一、“思想界权威”事件：对话中的情感裂痕；二、“压稿退稿事件”：无对话的心灵苦痛；三、“许广平之争”：捕风捉影的流言。冲突给双方心灵的深处造成极大的情感震荡和心灵创伤。鲁迅先生的痛苦和创伤来自于强烈的“被利用”感和“进化论”思想的困惑，高长虹的痛苦和创伤不仅来自鲁迅先生在一系列反击文章中对自己的误解，而且来自鲁迅先生在反击中讥笑和蔑视的态度而使他产生强烈的自卑感。更多还原

【Abstract】 As a chief commander of the revolutionary literary organizations of Mangyuan Society and Kuangbiao Society which were active in Chinese literary circles in 1920’s and as a progressive poet and writer who had earlier utilized modern consciousness and techniques in literary creation after the May 4th Movement , Gao Chang-hong had greater influence and made certain contributions in the history of Chinese New Cultural Movement. The dissertation is divided into 3 parts:Chapter I :Life and Literary Creation. According to his wandering and persuit ,Gao Chang-hong’s life and literary creation can be divided into 5 periods : The Period in Taiyuan ,The Period in Beijing , The Period in Shanghai ,The Period in Chongqing and The Period in Yan’an.This dissertation holds that Gao Chang-hong had shown the active follow and participation in the New Cultural Movement as a cultural worker and a. man of letters, which is not of short duration but throughout his life. This pursuit was not only an inheritance and development of the spirit of "the May 4th Movement", but a concrete embodiment that Gao Chang-hong pursued the brightness and the truth , and loved the motherland and the people all his life .From beginning to end, As far as Gao Chang-hong was concerned, although his road was full of tortuosities, frustrations, loneliness and desolation , he strolled across all of this, and became more inflexible and tougher. It is both the true footprint on the way of life made by Gao Chong-hong ,and the true record of extricating himself from darkness and made his way towards brightness .while he was chewing loneliness over spiritually.Chapter II: Poetic Scars: the replacement and sublimation of mental scar . Although Gao Chang-hong strode alone on the way of life , this was a spiritual pursuit of brightness after all ; although all kinds of inhibition in the dark caused great mental scars on him , he changed the inhibition into greatest spiritual strength under the influence of "Immediacy ", "Action", and "Philosophy". Gao Chang-hong’s poems were both a true record of his own mental scars and a true portrait of his opposing darkness and pursuing brightness. 1. Chewing matrimony over : scars of love and "meditation". 2. Confronting family: bitterawakening and rebelling. 3. Making his way for the society: merciless exposure and rebellion. 4 .The tower of ideas: the yearning for and pursuit of bright future.Gao Chang-hong’s poetic creation was based on the intake and the internalization of the traditional national poems and emphasized the reference and creation to the western modern art of poems. His distinguishing features of poetic arts are: 1. Emotions and feelings are frankly shown; 2. Association and imagination are rich and peculiar ; 3. Implied meaning and symbolism are deep and singular; 4. Dreamland and fancy are complicated and queer; 5. Poems adopt various styles.Chapter HI: The conflict between Gao Chang-hong and Lu Xun : the rift and estrangement in the predicament in the dialogue . This dissertation maintains that the conflict between Gao and Liu was caused by the predicament in the dialogue which couldn’t be fulfiled: l.The Event of "Authorities of Thought Circles": the emotional rift in the dialogue . 2. "The event of manuscript being pigeonholed and returned": mental suffering without dialogue. 3. "The contending for Xu Guang-ping ": the rum our chasing the wind and clutching at shadows. These conflicts caused greatest emotional shock and mental scars on both hearts. Mr Lu Xun’s sufferings and scars resulted from strong sense of "being made use of " and puzzle from the thought of " The Theory of Evolution." Gao Chang-hong’s sufferings and scars resulted not only from Mr Lu xun’s misunderstandings in a series of articles for counterattacks, but from Mr Lu’s attitude of ridicule and contempt in the counterattacks, which brought him a strong sense of inferiority.更多还原