论张爱玲的女性意识

【作者】 齐蔚霞；

【导师】 任广田；

【作者基本信息】 西北大学 ， 中国现当代文学研究， 2001， 硕士

【摘要】 本文借鉴性地运用西方女性主义文学批评理论，结合中国历史文化各方面的实际特点，通过对中国现代女性文学的简要回顾，指出张爱玲在中国现代女性文学史上，从五四时期的自发女性写作到自觉女性写作的里程碑式意义，即由觉醒期的狂热到冷静的审视和内省，及建构女性隐性主体的努力；同时指出张爱玲的女性意识是成熟的女性意识，是超越男女两性对立思维，扬弃狭隘的性别意识，以包括性别意识又超越之的超性别意识关注男性文化中人的生存状态，尤其是对现代女性的生存状态进行了敞明与澄清；并呼吁使人性得以健康发展的新的女性文化之建立。在分析其女性意识的深刻与独特的同时，也指出其消极人生观所带来的沉溺性话语造成的悲剧消解与隐匿凋闭。更多还原

【Abstract】 This article talks about the milestone significance of Madame Eleen Zhang in the modern history of woman literature from the spontaneous woman literature in the May Fourth Movement to conscious woman literature. The significance lies in her effort towards the cool inspection and deep contemplation from fanaticism in the Awakening period, and toward the construction of the implicit subject of woman. The methodology of this article is a combination of the theories of Western feminism literature criticism and analysis of the characters of Chinese literature and history. The article also outlines a brief history of Chinese feminism literature.This article, furthermore, demonstrates that Madame Zhang`s sense of woman is mature, that means, she transcend the mentality of two sexes as opposites, and abandons the narrow sense of division of sexes. The author tries to illustrate that Madame Zhang studies human beings`(especially woman`s) living conditions in the patriarchal culture ,using the sense of sextranscendence including but transcending the sense of sexes.The author calls on the establishment of healthy feminism culture,　good for the growth of humanity. The article analyses the deepness and uniqueness of Madame Zhang`s sense of woman in her works, as well as her own methods of dealing tragedy.更多还原