【作者】 孙燕华；

【导师】 汪文顶；

【作者基本信息】 福建师范大学 ， 中国现当代文学， 2001， 硕士

【摘要】 鲁迅研究极为丰富，但是，把鲁迅同样丰富的二十年代中期的各体创作作为一个独立的统一整体来研究，尤其是将该时期创作意趣相通的诗学品格作为研究对象，却少有学者问津。本文从鲁迅二十年代中期各体创作的思想内容和艺术特征入手，讨论了作家该时期整体创作构成的三个层面：一、在特定时期鲁迅作为中国知识分子感应时代变迁而激起的追求、奋斗和反思等精神需求；二、鲁迅以他的全部创作确立起一个诗人、斗士、思想家一生独具特色的价值立场和精神磁场，他在二十年代中期的文学创作与文艺探索，也同样包含了这样的意义和取向；三、鲁迅该时期的创作构建了一种特有的方式，这一特有的方式在一定程度上调解了文化伟人与文化时代的冲突。由此，笔者认为作家创作所特有的文本互文、文体越界等特点，在这一时期表现得尤为突出。论文并进而探讨鲁迅各体创作的诗性特征，试图展现其多样统一的诗学品格。更多还原

【Abstract】 In spite of the great amount of research being done on Luxun , most scholars neglect the study of Luxun’s Literary Creation in the middle 1920s as a whole, especially his various poetic quality and style . Based on the ideological and artistic characteristics of Luxun’s Literary Creation in the middle 1920s, the thesis discusses three levels that compose Luxun’s whole creation in the middle 1920s. First, being a Chinese intellectical, Luxun sensed the change of the age and responded with consistently pursing, fighting and rethinking; Secondly, with all his creation, Luxun establish himself as a poet, a frighter and a thinker, which indicates his life is characterized by his own value basis and spiritual support. His literary creation and the research on literature and art in the middle 1920s contain the same meaning and the standards of choice. Thirdly, Luxun’s creation in the period creates a special way.,which mediate the confrontation between a great writer and the cultural age. Therefore, the author thinks the characteristics of mutual text and mutual style are greatly shown in the creation of this period. Then the thesis discusses farther the whole poetic characteristics of his individual creation, trying to display his various poetic quality and style.更多还原