【作者】 余意；

【导师】 章继光； 阮忠；

【作者基本信息】 华中师范大学 ， 中国古代文学， 2001， 硕士

【摘要】 宋代是中国古典雅文化的集大成、又是中国近世俗文化发展的时期。社会转型引发了宋代文化领域的雅俗之辩。宋代文人深处于这样文化环境中，具有一种介于传统雅文化与近世俗文化之间的文化人格。这反映在文学领域，主流文学相应呈现出雅俗共存、以俗为雅的文学新景观。渊源于民间并且迎合晚唐五代享乐之风成熟起来的宋词是这一文化、文学走向的典型表征。听歌、作词成为那个时代的普遍习俗。雅词和俗词虽同样诞生于娱乐土壤，但宋代文人雅词在审美品格上并未一味趋俗，而是俗中主雅，俗只不过是提供给他们抒发闲情雅趣的机缘。歌台舞榭、酒席樽前的享乐生活并未使他们沉溺其中，内敛的审美心态与非凡非圣的处世态度，使得他们在生活中找到属于自己的典雅之境。一开始由于佐欢需要的词，创造了一个独特的以“痴情女子的士”为基点的抒情模式，在这个模式的规范下，宋代文人选择深契他们审美心理的意象抒发其真挚情感，寄予其道德理想，在美学神态上具备骚雅之美。词由小令逐渐发展到慢词，体制增大，又由于词是言情文体，宋代文人慢词在赋情时宛转回互保持了小令体式蕴籍含蓄的审美特征，从而保持了赋情体词的醇雅风貌。其实，不管是典雅、骚雅，还是醇雅，它们在实质上都是延续雅文化的精神，因此，对于宋代文人雅词来讲，俗为“形”，雅为“神”。更多还原

【Abstract】 Song Dynasty is a times during which Chinese classical Ya culture was summed up, and Chinese modem Su culture had been grown up. The culture of changing touched off debate about Ya-Su in the field of the culture of Song Dynasty. As soaked deeply in the cultural environment, the scholar had a cultural character between traditional culture of Ya and modem culture of Su. Reflected upon the realm of literature, main essential literature respectively presented new sight of that Ya and Su coexisted and Ya used Su as a means to. Came from folk and catered to hedonism of late Tang, Song Ci had been ripe and typically symbolized such trend of culture and literature. Listening music and composing Ci became that day’s fashion. Born from hedonic environment equally, however, Ya Ci written by scholar of song Dynasty didn’t tend toward Su blindly, but Ya was main to Su on aesthetic quality, Su merely gave them a opportunity with which they expressed their refined emotion. Hedonic life didn’t let them indulge in, but aesthetic manner introverted let them find their Dian Ya. Because Ci was want of recreation at beginning, Ci created a special expression model founded basic point of Shi as infatuated woman. Standardized by this model, the Scholar selected the suitable image to their aesthetic manner expressed their true emotion and placed their moral idea on Ci, so their Ci was provided with Sao-Ya in aesthetic mien. Because the scale of Ci expanded from XiaoLing to Man Ci is a type of writing that expressing emotion, the scholar’s Man- Ci and Ci continued to have Xiao-Ling’s Character of implication, so Man-Ci contained Ci’s Chun Ya in expressing emotion. In fact, whether Dian-Ya, Sao-Ya, or Chun-Ya, its true spirit belonged to Yaculture, so the external of Ya-Ci written by Song Dynasty’s scholar belong to Su, but it’s internal belong to Ya.更多还原