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赛车类型向竞速电影文体的丝滑飘移——论《飞驰人生3》的银幕现代性

The Smooth Drift from the Motor Racing Genre to the Racing Film Style:A Study on the Screen Modernity of Pegasus 3

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【作者】 周安华

【Author】 ZHOU An-hua;China Film and Television Style Research Center,Shandong University;Asian Film and Media Research Center,Nanjing University;

【机构】 山东大学中国影视文体研究中心南京大学亚洲影视与传媒研究中心

【摘要】 2026年春节档电影中,《飞驰人生3》不仅以29.27亿票房领跑,而且突破了传统赛车片奇观性、娱乐化、爽感至上的特质,通过极具真实感的场景和故事,锻造了中国竞速电影的新文体。影片以丰沛的人物弧光和饱满的主题表达阐释竞速表意的内涵,给予观众一种来自“现场”的心灵震撼。作品立足情感铺陈,发掘主人公的信念、意志与友情、家国情的内在联系,熔铸电影丰盈而强烈的共情力,让极限竞速成为信仰,成为兄弟情、职业精神的载体。《飞驰人生3》由“娱乐爽片”向“人文佳作”擢升的现代性,让银幕速度位移在彰显国产电影工业水准和文化表达时,拥有了思想深度和哲学重量。

【Abstract】 During the 2026 Spring Festival film season,Pegasus 3 leading the box office with 2.927 billion yuan.Breaking away from the traditional motor racing film traits of spectacle, entertainment, and a primary focus on thrill,the film forges a new style of Chinese racing film through highly realistic settings and storytelling. With its rich character arcs and profound thematic expression, the film conveys the deeper meaning of racing, offering audiences a soulstirring sense of “being there”. Rooted in emotional depth, the film explores the intrinsic connections between the protagonist’s beliefs, willpower, and the bonds of friendship, and national sentiment, creating a rich and powerful sense of empathy. It elevates extreme racing into a form of faith and a vehicle for brotherhood and professional spirit.Pegasus 3 evolves from an “entertainment-driven blockbuster” into a “humanistic epic”, embodying a modernity that endows the speed on screen with ideological depth and philosophical weight, all while showcasing the caliber of China’s film industry and its cultural expression.

  • 【文献出处】 艺术百家 ,Hundred Schools in Arts , 编辑部邮箱 ,2026年02期
  • 【分类号】J905
  • 【下载频次】43
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