【摘要】 在古代中国，简牍是传播媒介，并不是时人需要刻意保存以流传后世之物，在传承过程中存在断裂。现代意义上的博物馆是思想的物质存在条件。正是因为“馆”的中介，“简述中国”这一观念才得以成为今人需要习得的文化记忆。这在实践中涉及三个层面：博物馆使记忆的主体从专家扩大为社会公众；片段式的、无定形的、不成关联的简牍，通过博物馆再语境化，与现代国家命运相关的文物进入公众视野，成为文化记忆的对象；简牍博物馆介入公共教育系统、大众媒体等，将公众的“观看”方向引向简牍所代表的中国历史文化，让文化记忆在更大的社会空间中扩散。更多还原

【Abstract】 In ancient China, bamboo and wooden slips served as communication media rather than objects intentionally preserved by contemporary people for future generations.As a result, there were discontinuities during the process of inheritance.The modern museum represents a material condition for the existence of ideas.It is precisely through the intermediary role of the “museum” that the concept of “China in the words of bamboo museum” has become a cultural memory that modern people need to acquire.It involves three levels in practice.First, museums expand the subject of memory from experts to the general public in society.Second, fragmented, amorphous, and unrelated bamboo slips are re-contextualized by museums, bringing cultural relics related to the fate of modern nations into the public eye and making them objects of cultural memory; bamboo slip museums intervene in public education systems and mass media, guiding the public’s “viewing” toward the historical context of Chinese culture represented by these slips, thereby facilitating the diffusion of cultural memory across broader social spaces.更多还原