【摘要】 许慎《说文解字叙》与维特根斯坦《逻辑哲学论》，均将开创世界的“事”与“形”两大端提升到语言图象境界。宪象、语象、构象是汉字语言图象生成之逻辑结构。文者“物象之本”，汉字图象和易“八卦”有相通的底层逻辑，揭示了汉字图象是一种“准”逻辑图象。汉字“六书”，构成了汉字图象生成的“句法”和“语法”，更体现了华夏先民对世界的“看法”“画(书)法”，显示汉语的思想图式。文字画作为前语言图象，以“语象”预演了“六书”。“构象”作为生成过程，揭示了从神话世界而来的汉字是如何创造、生发、叙述、描绘世界的“语言图象”的。汉字“构象”演化“事”与“形”的可能性，恰恰是“宪象”与“语象”成为实在所必要的。更多还原

【Abstract】 Both“A Preface to Shuowenjiezi(《说文解字》) ”and Wittgenstein’s Logisch-Philosophische Abhandlung raised the two poles,i. e.,facts and forms,that created the meaning world,to the state of language pictures. Universal Laws(宪像),Hanzi Images(语象),and the Formation of Hanzi Patterns(构象) work as the logic structure that generates the language pictures of Hanzi. Since the initial hieroglyphic characters were created by “copying the shapes of objects”,a Hanzi picture is in fact a quasi-logical-image that shares some basic logic with the Eight Diagrams of The Book of Changes(《易经》) ． The six categories of Hanzi,forming the syntax and grammar system guiding the generation of Hanzi pictures,express ancient Chinese people’s understanding and description(writing or sketching) of the world,as well as their thinking schemas.Word Paintings,as pre-language pictures,worked as Hanzi Images and predicted the appearance of the six categories of Hanzi. The Formation of Hanzi Patterns,as the generative process,reveals how Hanzi,coming out of the mythology world,created,generated,narrated and described the language pictures of the world.During the pattern formation process of Hanzi,facts and forms were put to use,which,as it happens,was necessary for Universal Laws and Hanzi Images to develop into substantive existence.更多还原