【摘要】 在国家重视非遗保护传承及数字技术发展的背景下，文章以《水书·金堂卷》《八宫取用卷译注》等为主要数据来源，运用叙事理论、档案两步整理法及动画制作技术开展研究。通过文献研究法和跨学科研究法，对水书档案进行数据提取与文本处理，深入挖掘其美学特征，基于此进行动画风格化设计与叙事设计，并借助Clip Studio Paint、SketchUp等软件完成数字绘制与后期合成，创作出二维动画作品，实现了水书符号的活化，丰富了非遗传承的路径。更多还原

【Abstract】 Against the backdrop of national emphasis on the protection and inheritance of intangible cultural heritage and the development of digital technologies, this study takes Shui Script: Jintang Volume and Annotated Translation of Bagong Quyong Volume as primary data sources, and employs narrative theory, the two-step archives arrangement method, and animation production techniques to conduct its research. Through literature research and interdisciplinary approaches, data extraction and text processing of Shui script archives are carried out to deeply excavate their aesthetic characteristics, based on which stylized design and narrative design for animation are developed. Digital painting and post-synthesis are completed with software such as Clip Studio Paint and SketchUp to create two-dimensional animation works, achieving the activation of Shui script symbols and enriching the paths for inheriting intangible cultural heritage.更多还原