【摘要】 批评理论视域中20世纪初英国美学家G.E．摩尔、克莱夫·贝尔和罗杰·弗莱的美学思想具有一脉相承的内在价值架构，是对发端于剑桥大学人文传统、勃兴于布卢姆斯伯里小组的人性审美精神的重建。摩尔在重构美/善德性行为基础上，涵摄审美沉思行为和审美沉思对象的有机统一体。贝尔将摩尔的审美有机统一体拓展到艺术家对有意义的形式的审美沉思和审美情感。弗莱进一步兼容艺术没有目的的目的性与审美判断力有目的的目的性，凸显艺术对审美主体无私的沉思之生成与审美主体对艺术品有目的审美判断两者之间的辩证生成关系，从纯艺术和纯私人交往层面跃升到艺术文明精神的恢弘视域。更多还原

【Abstract】 From the perspective of critical theory’ early 20^thcentury British aestheticians G. E. Moore,Clive Bell and Roger Fry’s aesthetic thoughts have an inherited schema of intrinsic value and reconstruct the aesthetic spirit of humanity burgeoning in the humanistic tradition of Cambridge University and blooming in the Bloomsbury Group. Moore reconstructs the organic unity based on the ethical behavior of beauty and goodness and encompassing the action and object of aesthetic contemplation. Bell extends Moore’s aesthetic organic unity to artist’s aesthetic contemplation of the significant form and the emergent aesthetic emotion.Fry further fuses the purposiveness of purposelessness of art itself with the purposiveness of purpose of aesthetic judgement,highlights the dialectic generational relationship between aesthetic subject’s uninterested contemplation generated by art and its purposive judgement on artistic work,and embraces a grand horizon of artistic civilizational spirit by transcending pure art and pure interpersonal communication.更多还原