【摘要】 数字技术与数智媒介的发展，深刻改变了文学生产、传播与接受的范式。传统文学批评主要聚焦于文本内容、语言叙事与人文价值，对媒介自身的物质性关注不足。对于数字文学，许多批评者秉持非物质化或去物质化的理论意识，难以回应数字文学发展带来的新现象与新命题。媒介物质性理论强调数字媒介的物质属性与实践内涵，认为数字媒介的硬件形态、界面呈现、数据存储、交互逻辑等物质维度，直接作用、影响文学文本的存在方式与审美特质。数字文学符码突破了纸质文学的固定物性边界，呈现出文本符号的流动性、数字界面的感官性、媒介技术的交互性等物质性特征，其文学价值与意义内嵌于媒介物质实践网络之中。数字时代的文学批评需突破传统文本中心范式，正视媒介物质形态与文学审美表达的互构关系，深入思考数字技术、媒介传播机制对文学批评话语的重塑。更多还原

【Abstract】 The development of digital media has profoundly transformed the paradigms of literary production, dissemination and reception. Traditional literary criticism has primarily focused on textual content, linguistic narrative and humanistic values, paying insufficient attention to the materiality of the medium. When it comes to digital literature, many critics adopt a theoretical perspective characterised by immaterialisation or dematerialisation, which struggles to address the new phenomena and challenges brought about by the development of digital literature. The theory of media materiality emphasises the material attributes and practical implications of digital media, arguing that its material dimensions—such as hardware form, interface presentation, data storage and interactive logic—directly shape and influence the form and aesthetic characteristics of literature. The codes of digital literature transcend the fixed material boundaries of print literature, exhibiting material characteristics such as the fluidity of textual symbols, the sensory nature of digital interfaces, and the interactivity of media technologies. Its literary value and significance are embedded within the network of material media practices. Literary criticism in the digital age should break free from the traditional text-centred paradigm, acknowledge the co-constructive relationship between the material form of the medium and literary aesthetic expression, and engage in a profound examination of how digital technologies and media dissemination mechanisms reshape literary opinion and critical discourse.更多还原