【摘要】 在文学作品的跨文化和跨媒介传播中，源文本、译本与各类跨媒介再创作共同构成了一个宏大的“全球作品”。这一由多种要素构成的网络，不断丰富着文学作品的意义和价值。其中，《玩偶之家》和《西游记》便是典型案例，这两部作品在跨越时空的创作和传播中获得了持久的生命力。而电子游戏《黑神话：悟空》则借助前沿数字技术，在推动故事内容和玩家体验的同时，也不断增强着中华文化的国际传播能力。依托新媒体技术的跨媒介创作和传播将在文学经典化的过程中扮演越来越重要的角色。在此背景下，学界有必要进一步深化理论思考，推动跨媒介叙事与全球作品研究的自主知识体系建构，重新评估和认识全球作品的经典化和时代性，从而更深刻地理解其现实价值以及对未来的启示。更多还原

【Abstract】 In the cross-cultural and transmedial dissemination of literary works, the source text, its translations, and various intermedial adaptations collectively constitute a grand “global work.” This network, composed of diverse elements, continuously enriches the meanings and values of literary works. A Doll’s House and Journey to the West serve as quintessential examples, both having attained enduring vitality through creation and dissemination across time and space. Similarly, the video game Black Myth: Wukong leverages cutting-edge digital technologies to enhance storytelling and player experience while simultaneously strengthening the international communication capacity of Chinese culture. Intermedial creation and dissemination, underpinned by new media technologies, are set to play an increasingly pivotal role in the process of literary canonization. Within this context, it is essential to deepen theoretical reflection and promote the construction of an autonomous knowledge system for intermedial narrative and global work studies. By re-evaluating and recognizing the canonization and contemporaneity of global works, we can gain a profound understanding of their practical values and implications for the future.更多还原